I lugged my drum kit around DC for years. Playing here and there, trying out for this and that–until I was hit with an epiphany: futility. I just wasn’t going to make a career of it despite my blistered hands.
As such, I’ve often wondered how the karmic happenstance takes shape where unique talents gel into a cohesive whole. (Which eluded me, frankly.)
So, enough about vinyl just this once. This week we chat with Pree’s May Tabol about the long road taken — from being ON the road to developing a community of collaborators — that’s lead to the band’s brand new release ‘A Chopping Block’ out now on DC’s very own Kora Records.
“Pree started out as a collaboration between my friend John Thayer (from Exit Clov) and I after I had gotten back from touring with Le Loup last spring. I had written several songs in the back of the van during the long stretches across the states, and, being unemployed when I got back to DC, decided that that summer would be the perfect time to record. Exit Clov had set up a studio in the basement of their house in Arlington, and John and I decided to put together an EP there. We enlisted the help of Susan Hsu (also from Exit Clov) for violin, Tom Hnatow of These United States for bass and dobro, and Vanessa Degrassi of Frau Eva for flute, and by the end of August we had something we were quite happy with.
After John moved up to New York in September, I started playing with Chris Dewitt (Sweet Teeth/Fever/Wild Fictions), and then David Barker (Cobra Collective), and Vanessa joined up shortly thereafter. It’s been great to be a part of such a close-knit music scene here in DC. It’s certainly an interesting town to be making music in.. the Capitol casts tall shadow, but underneath there are a lot of creative people running around giving this city its own culture, something independent of the political climate everyone recognizes from the outside.”
Pree – Heaven is a Drag (Mp3)
Pree – In the Parlor (Mp3)
AON Sessions: Pree, “In the Parlor” from All Our Noise on Vimeo.
