Category Archives: TVD UK

Indie-pop newcomer Nieve Ella has been making waves in the UK for a while now and with the release of upcoming EP “Watch It Ache And Bleed,” due for release imminently, we think she may very well be one to watch for 2025.

Latest single “Ganni Top (She Gets What She Needs)” sees Nieve channel the likes of Olivia Rodrigo as she combines indie pop with a punk rock attitude creating a sound that is truly anthemic. Nieve Ella has quickly become one of the most exciting artists in the UK. Following the release of two EPs, she has gained supporters from Radio 1’s Greg James, Jack Saunders, and Mollie King to tastemaker journalists at NME, Notion, DIY, and DORK, as well as a digital audience of over 100,000 and over three million streams.

Nieve Ella is a true music lover, citing some of the biggest stars and underground newcomers of the alt-pop/indie scenes as influences: Sam Fender, Phoebe Bridgers, Lizzy McAlpine, and Flyte. Her musical journey started when she quickly gained a TikTok following covering of some of these artists—and now only a short time later she is sharing their stages and collaborating with the same producers.

Nieve’s EP “Watch It Ache And Bleed” arrives in stores on 17th October 2024.

Holy fucking hell. If you’d told me a year ago I’d be standing in Manchester’s O2 Academy, press pass around my neck, watching the Sex Pistols tear through Never Mind the Bollocks with Frank Carter on the mic, I’d have laughed in your face. But here we are, in a world gone mad, witnessing the impossible: punk rock history rewritten in real-time.

When news broke of the Pistols reuniting—minus the perpetually pissed-off John Lydon—for a one-off London gig, I nearly shit myself. Missed it, of course, because life’s a cruel mistress. But that show’s seismic impact spawned this UK tour, and suddenly, I had a shot at redemption. One train ride, one sweaty venue, and one night of pure, unadulterated punk fucking rock.

From the moment Steve Jones hit that first chord, it was clear this wasn’t just a nostalgia trip. That guitar tone—the sound that launched a thousand punk bands—ripped through the venue like a hurricane. Paul Cook’s drums thundered with the same fury they did in ’77, while Glen Matlock proved why he was always the unsung hero, his basslines the bedrock of the Pistols’ sound.

But the real revelation? Frank fucking Carter. Stepping into Lydon’s shoes is no easy feat, but Carter owned it. His voice captured that iconic snarl perfectly, yet he brought his own raw energy to every line. During “God Save the Queen,” you could feel the electricity in the air, the crowd hanging on every word as if it was a manifesto for a new revolution.

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I’ve seen The Dead Daisies four times now, and let me tell you, their latest show was a real kick in the teeth—in the best way possible. This supergroup, born from the ashes of rock royalty, proved once again why they’re more than just a nostalgia act. Let’s cut to the chase: The Dead Daisies are the real deal. Forget what you’ve heard about rock being dead. These guys are out there breathing new life into a genre that’s supposedly on life support. And they’re doing it with a revolving door of musicians that would make lesser bands implode.

Now, I know some folks moan about the lineup changes, but here’s my take: it keeps things interesting. Each show is a unique experience, and last weekend’s performance was easily their best yet. The band was tight as a drum, heavy as lead, and hotter than a summer sidewalk. Their new album, Light Em Up, isn’t just good—it’s a statement. It’s The Dead Daisies saying, “Yeah, we’ve got a pedigree, but we’re not here to rest on our laurels.” And with John Corabi back on vocals? It’s like they’ve found the missing piece of the puzzle.

Speaking of Corabi, the man’s voice is like aged whiskey—smooth, potent, and leaves you wanting more. He doesn’t just sing the songs; he lives them. When he’s on stage, you can’t help but pay attention. But the real star of the show? Doug Aldrich. This guy doesn’t just play guitar; he makes it sing, cry, and scream. Watching him work that Les Paul is like seeing a master at work. It’s not just about the speed or technicality—though he’s got both in spades. It’s about the soul he pours into every note. The recent news about his health hit hard, but if anyone can beat cancer and come back stronger, it’s Doug.

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Watch out! There’s a new British girl band on the scene and they mean business… Say Now continue to make waves with the release of their infectious new single “Trouble,” out now.

Fierce, feisty, and full of fun, “Trouble” is exactly what you need right now. Talking about the single, the trio say its “about knowing your worth and being confident in what you’re bringing to the table! We want people to listen to this song and know that it’s ok to be outspoken, and that you can have fun and be cheeky whilst doing so.” The super sassy video also features Girls Aloud’s Nadine Coyle making a fabulous cameo.

Written by the band themselves, as well as pop gods Wayne Hector (Sugababes, The Pussycat Dolls), Anya Jones (Little Mix, kamille), and Duck (Halsey, Mimi Webb), the powerful single sees the ladies very cleverly channel the spirit of girl groups that came before them by sampling legendary ’90s dance hit “Unbelievable” by English alternative rock outfit EMF.

We can’t wait to see what these girls get up to next—a much needed boost of energy to the British pop scene.

Introducing new kids on the block Sol Feo (pronounced “s-ol f-Eh-oh”), an explosively soulful six-piece alt-rock band from Bristol, UK. Their latest single “Emerald” is taken from their upcoming debut self-titled EP, due 4th October 2024, and if “Emerald” is anything to go by, you’re in for a treat.

Meticulously crafted by sound designer Rik Dowding (Massive Attack, Portishead, the xx, Franz Ferdinand), the independently produced EP showcases the exhilarating creative vision of the group with a sound that has been described as “heavy soul.” Latest single “Emerald” is a tune about dancing your troubles away and we have no doubt that’s exactly what you’ll be doing after a few listens of this banger.

The full EP promises to “take listeners on a captivating voyage, weaving through the depths of introspection and rising to euphoric crescendos.” Don’t miss your chance to be amongst the first to experience this powerful and innovative new band.

Singles “Lucy” and “Emerald” are out now. Sol Feo’s self-titled EP is in stores on 4th October 2024.

If you missed Bambie Thug’s performance at Heaven in London last week, you might have missed one of those pivotal moments where an artist teeters on the edge of obscurity and stardom. It’s the kind of show that, in a year or two, could have you smugly reminiscing, “Oh yeah, I caught their act at Heaven just before they blew up—now they’re selling out the O2.”

Bambie Thug doesn’t just blur the lines between genres; they obliterate them entirely, crafting a sonic identity as fluid and defiant as their own. With a stage presence that oscillates between ethereal witch and gritty punk rocker, they embody a new wave of artists refusing to be boxed in by traditional labels—musical or otherwise.

Their performance was a study in contradiction: vulnerable yet fierce, melodic yet abrasive, familiar yet utterly unique. It’s this ability to exist comfortably in the spaces between established norms that makes Bambie Thug an artist to watch. They’re not just pushing envelopes; they’re ripping them up and fashioning something entirely new from the pieces.

Let me set the scene: I’ve been around the block a few times in the music world. I was there when Marilyn Manson first hit the stage back in ’94, and I’ve seen countless acts try to capture that same lightning in a bottle since. So when I say Bambie Thug is something special, I’m not just blowing smoke.

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PHOTO: AKYTOM STUDIO | South London’s BINA. returns with another slice of lo-fi R&B to ease your way into the working week. New single “Self Assured” is out now.

BINA. is an artist who uses a mixture of emotion-provoking, sophisticated lyrics and catchy melodies to detail her life experiences in music. She lays smooth, soulful vocals over alternative R&B-infused soundscapes, creating the perfect blend of R&B, jazz and neo-soul. New single “Self Assured” is no exception as BINA.’s effortlessly chilled vocal takes centre stage, flowing freely over the mellow electronica. Fans of the likes of Hiatus Kaiyote, IAMDDB, and Erykah Badu will feel at home here.

As an emerging artist, she has begun to refine her craft and establish herself as one to watch, having collaborated with an array of tastemakers in the music and the fashion scene, such as Boiler Room, Dr. Martens, and London Fashion Week.

“Self Assured” is in stores now.

British-Nigerian artist Essence Martins soothes us into September with new single “Quiet & Perfect,” out now.

Combining elements of indie, folk, pop, and soul, Essence’s sound is uniquely her own. Talking about her latest release, Essence explains, “‘Quiet and Perfect’ is a song about yearning for the perfect kind of love. It’s a fantasy about getting all you want in a person and a relationship. Many of us grew up watching love stories on TV and in films, which often depict a heightened romantic love. I later realised the many inaccuracies in them. Many had unrealistic standards of love that were either toxic and full of drama or too perfect, like in a lot of Disney movies where real struggles were not included.

We all watch TV and movies to be entertained, and I love watching a heightened reality, but as a result of being young and naive, I feel like I had a warped idea of love. Even though I haven’t yet experienced it myself, I’ve witnessed that a lot of successful relationships are the ones that are simple and feel easy. They might even seem boring at first glance, and of course, they’re never completely perfect. But I think that perfect love is embracing imperfections in one another and finding treasure in the simple, mundane aspects of life as well as the big, exciting things. Sometimes love can be ‘quiet and perfect’ in that sense.”

Born and raised in North West London, Essence was always surrounded by sport, specifically tennis, practicing and competing in tournaments. After a year of studying Sports Science and Biology in the US on a tennis scholarship, she made the life-altering decision to follow her heart and pursue a career in music, and she’s not looked back since.

“Quiet & Perfect” is in stores now.

Since their debut single “Deja-Vu” earlier this year, we’ve been captivated by band Joyce, and their latest single “Voyce” is a riotous and blaring track about a quest for self-discovery.

Joyce is a genre defying musical project from Jimmy Watkins (Future of the Left / The Vega Bodegas / Running Punks), with the rest of the band made up of Gwen (Adwaith), Joe (Big Special), Tom (God Damn / The Big Hell), Phil Thornalley (The Cure / Bryan Adams/ Natalie Imbruglia), Paul (Fauxchisels), and drumming legend Allan Oakes. They manage to flawlessly blend punk, rock, and electro into a chaotic and colourful treat for the ears.

“Voyce” is the is the second single to come from their highly anticipated album, out on the 13th September via human worth music, and we’ll be counting down the days until we can hear the full masterpiece.

This week, we shine a spotlight on Flamingods, the eclectic, genre-defying band that’s been making waves with their vibrant soundscapes and global influences.

Flamingods are known for their dynamic fusion of psych-rock, world music, and electronic elements, creating a sound that’s as diverse as their cultural backgrounds. Originally formed in Bahrain and now based in the UK, the band consists of four members—Kamal Rasool, Charles Prest, Sam Rowe, and Karthik Poduval—each bringing their unique musical heritage and influences to the table.

Currently touring on the festival circuit, there are still two chances to experience their electric stage presence in the UK: August 25th at Shambala Festival and August 31st at the End Of The Road Festival.

Whether you’re a fan of psych-rock, world music, or just love discovering new sounds, Flamingods is a band that’s sure to captivate your ears and imagination.

Manchester-born artist Misha B rose to notability as a finalist on the eighth series of The X Factor way back in 2011. Well now, she’s back and she’s sounding more encapsulating than ever. Her latest single “Why?!” is out now.

Instantly reminiscent of the late, great Amy Winehouse, “Why?!” is a delicately weaved slice of soul-soaked tenderness that allows Misha B’s incredible vocals to lead and shine throughout. Talking about the single, Misha B says, “For the first time, I am releasing music that completely captures the contents of my heart. ‘Why?!’ delves into the raw emotions of sadness, rage, and self-realisation, ultimately concluding in affirmation.”

Misha B has previously supported the likes of Nicki Minaj and was nominated as Best Newcomer at the MOBO Awards. Misha B has said that her style of music can best be described as “free,” and that she does not want to be boxed in by any one style.

“Why?!” is in stores now.

The summer has been pretty disappointing in the UK this year so far, which we’re used to of course but a little bit more sunshine wouldn’t go amiss… Thankfully the sound of summer is still being celebrated, most recently by Glossy Boy and their infectious new single “LICK,” out now.

An addictively upbeat song about a sun-soaked romance, “LICK” takes inspiration from the sparkling summery melodies of Vampire Weekend and the gutsy energy of The Vaccines. This is one that’ll stick in your head the moment you hear it, and you’ll be pleased it does!

Already getting airplay on Future Hits Radio, iHeart Radio, and Amazing Radio Audition, shortlisting in emerging talent competitions, and strong streaming performance driven by a devoted and growing fanbase, Glossy Boy are an exciting new trio on the up.

Fresh off a debut EP, a sold-out show at London’s iconic Troubadour venue and a semi-final placing for Isle of Wight Festival New Blood Competition, Glossy Boy are proud to present hotly anticipated single “LICK” in stores now.

Jay Buchanan’s European debut with his solo project at Stereo Convent Garden in London was a night of revelation and musical enchantment. Known primarily as the frontman of the Long Beach rock band Rival Sons, Buchanan stepped into the spotlight with a new band to showcase his upcoming solo album Locust and Wild Honey. The intimate setting of Stereo Convent Garden was the perfect backdrop for this personal and semi-stripped-down performance.

Having just flown in from Germany where he was touring with his main band, Buchanan’s transition from frontman to solo artist would prove no challenge. The mystique of Buchanan, often shrouded in the collective energy of Rival Sons, was peeled away, revealing a different persona. He remained a frontman who’s in a trance and lost in the music, but this time, the spotlight was entirely on him.

The absence of his Rival Sons bandmates, especially Mr. Fuzzlord, highlighted Buchanan’s charisma and the sheer strength of his material. The pressure must have been immense, but Buchanan’s confidence and the quality of his songs connected straight away. I think what was obvious from the start is that you have an audience that will follow this man anywhere.

One of the most striking aspects of the evening was Buchanan’s rarely seen role as a storyteller. Known for his intense, over the top performances with Rival Sons, it was interesting to hear him speak so candidly on stage. He mentioned that he doesn’t have time to talk during Rival Sons’ shows because “they’ve got a lot of rocking to do.” However, in this solo setting, he shared the stories behind his songs, delving into their meanings, his writing process, and the personal impact of his music. This openness added a layer over vulnerability to the performance, not only showcasing Buchanan’s deep love for his craft, but the fact that he’s got a lot to say and he’s now got a proper outlet to do so.

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PHOTO: TOM J. JOHNSON | London-based newcomer flowerovlove proves she’s one to watch with the release of her infectious new single “breaking news,” out now.

Produced by Duck Blackwell and co-written with close friend Ines Dunn, the sun-soaked single is bound to put a smile on your face instantly. Talking about the single, the south London artist—also known as Joyce—says, “I was feeling sad when I wrote it, actually. I wanted to feel something lovey dovey, so I wanted to manifest feelings through a song. “breaking news” is about the thought process when you go from a crush to falling in love super uncontrollably fast and you can’t stop it, in combination with the shock of realising ‘whoa this is more than a crush.’”

floweroflove is not only an emerging fashion icon—having fronted campaigns for brands such as Gucci and Maison Kitsuné—but she is also a quickly evolving songwriter who champions self-love and womanhood. Definitely one to watch for 2024…

“breaking news” is in stores now.

Walking back to the train after Noel Gallagher’s High Flying Birds show at Alexandra Palace Park, I overheard a question that encapsulates the ongoing debate among fans: “Was it better than Liam?” This question, though inevitable, is shortsighted. You simply can’t compare the two. Both Gallagher brothers are phenomenal talents in their own right, but Noel’s performance showcased his unique ability to blend his illustrious past with a forward-looking artistry that few can match. Throughout the show, Noel’s trademark wit and “get off my lawn” quips between songs added a layer of charm and authenticity that only he can deliver.

Noel Gallagher, the mastermind behind some of the greatest songs in British rock history, brought his High Flying Birds to Alexandra Park for a mesmerising night, celebrating the release of his latest studio album, Council Skies. Critics and fans alike have showered praise on this album, and for good reason. It’s a testament to Noel’s enduring genius as one of the best songwriters the UK has ever produced.

Opening the set with “Pretty Boy,” the lead single from Council Skies, Noel immediately showcased his knack for crafting songs that are both contemporary and timeless. This track, along with others like “We’re Gonna Get There in the End” and “Open the Door, See What You Find,” highlighted Noel’s evolution as an artist. These songs aren’t just filler; they stand as pillars of his current creative output, demonstrating that Noel is far from resting on his laurels.

What made this night truly exceptional, however, was Noel’s decision to weave in a generous helping of Oasis classics throughout the set. Unlike his brother Liam, who opens with Oasis songs and unashamedly bashes out the hits, Noel makes the crowd work a bit more for them. The audience was treated to an array of beloved tracks, from “Going Nowhere” to “Talk Tonight,” and the reaction was electric. The crowd went absolutely bananas, proving that these songs are as vital and vibrant as ever.

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