If Albert Einstien were to eat a rainbow and get beat with drumsticks until he busted open like a piñata, the sound it would make would probably be much like Rubblebucket’s music.
The Brooklyn band has been building a following for their abstract take on pop, with songs that hit you hard with unforgettable choruses and keep you coming back for all the weird extra bits floating around in the background. I got the chance to catch up with the principal songwriter of Rubblebucket, Alex Toth, to talk about the aesthetic of their art and the happy medium of making the abstract palatable.
You guys have an excellent sense of pop while simultaneously having lots of strange quirks. How does merging the abstract with the pop aesthetic play into your music?
That’s everything. That’s the whole thing I’m always messing with, balancing that scale. How far out can I take it without losing people. I try to find new ways of dealing with composition and sound. You can make those wild and imaginative, using it in a distinct way. Maybe people can understand it, and in that way, you’re bringing your audience into your imagination. That’s important for us. If I’m working on a song, and it sounds like a million other things I’ve ever heard, I’m gonna scratch it. I want us to have our own thing. I want our songs to be distinct.