UK | Record Store Day confirms details of 2025 edition: Record Store Day is returning for its 18th edition in 2025. The international vinyl event will take place on April 12, 2025. Last year’s edition delivered a significant boost to sales. More than 270 independent record shops across the UK, alongside thousands more around the globe, will participate in the celebration of vinyl releases and independent record store culture. Record Store Day’s upcoming 18th edition coincides with 18 years of growth in vinyl sales, reported in the latest BPI market figures. The vinyl celebration is organised by ERA with its record store members. RSD has partnered with DEYA Brewing Company, based in Cheltenham, who will be brewing a special RSD beer that will be available in participating record stores, bottle shops and pubs in April 2025.
Montreal, CA | Return to Analog’s Pierre Markotanyos: …Pierre Markotanyos, the owner of the reissue label Return to Analog and Montreal record store Aux 33 Tours (which refers to the speed at which an LP spins), has noticed a distinct change in the makeup of who’s buying vinyl these days. “In the late 2000s,” Markotanyos reflects, “it was mostly 55-to-70-year-old guys who were coming in, buying records to play on their high-end stereos that they bought at the audio show in Montreal.” [Sound familiar, Stereophile readers?] “They were the purists and the true believers.” “And then 2010, 2011, the hipsters started really getting hardcore into it. And then, about four or five years ago, we started noticing 15-, 17-, 18-year-olds and a lot of girls. I’d stand in the middle of the store on Saturday and go, “Hey, 10 years ago there were just guys in here and now it’s like 30% women. Today, it’s more like 60–40 on a weekend. You look around and there’s almost as many girls as there are guys.”
Canton, TX | East Texas vinyl enthusiasts give insight into nationwide revival: Young listeners are embracing the nostalgic feel for music through vinyl records, including those in East Texas. For some, it might just be a vinyl on a record player, but for 21-year-old Allie Rives, as well as other Gen Z fanatics, it’s an immersive experience that brings a deeper connection and appreciation to music. “You get to touch them, see them, and listen to them, and I prefer that over digital streaming,” said Rives. According to Luminate Music Consumption Data, vinyl album sales have increased from $13.1 million in 2016 to $49.6 million in 2023. That’s a growth of nearly 300 percent over the last eight years. A high percentage of that consumption are young listeners. “Most of my friends have vinyl and listen that way,” said Rives. “Occasionally we’ll have listening parties using vinyl, and new albums come up that we want to listen to.”
New York, NY | The Music Is Too Loud. That’s the Point. Vinyl-focused listening bars inspired by ones in Japan are opening across New York, attracting audiophiles and city dwellers looking for a respite from the cacophony outside their doors. On one Friday evening, the conversation in the back room of All Blues in TriBeCa, where about two dozen people sat in leather chairs, was overtaken by the music streaming from three large, mid-20th-century speakers. Behind a D.J. booth, Yuji Fukushima, 62, the owner of the bar, spun a set that included 1980s funk and late-career Dizzy Gillespie, which played from a pair of German-made turntables. Around the room were rare McIntosh amplifiers, a tape recorder from a Swiss audio company and the three speakers—JBL products that altogether cost tens of thousands of dollars. The bar’s patrons were enjoying what Mr. Fukushima called a “music massage,” inspired by some of his favorite hangouts in Japan, where he grew up.