Author Archives: Tim Thornton

Store Profile: Music Saves

Photo by Carolyn Thornton

My first experience at Music Saves is probably a pretty common one. Sometime in 2004 I went to a show with some friends at The Beachland Ballroom. After the show was over, we were walking back to the car and lo and behold there was a new record store on the block! I won’t lie, I had a drink or two in me, so i INSISTED we stop in. I proceeded to pretty much freak out, as my old favorite local shop (My Generation in Westlake) had recently closed and I didn’t really have a place I loved to go to in town. This was the place. That night, I think maybe I bought one thing for myself, but dropped forty or fifty dollars on music for my friends… essential stuff I thought they really needed to hear. That story has stuck with me, as that whole “your life would be better if you heard this record” attitude is key to Music Saves, right down to the store’s name. I’ve been a regular at the store since then… and in the spirit of full disclosure, I’m even under their employ from time to time.

Since summer 2004, Music Saves has had their spot on Waterloo Road in the Collinwood neighborhood of Cleveland, owned by Melanie Hershberger and Kevin Neudecker. They specialize in independent music of all stripes, mostly records released in the last 20 years, however, their used/vintage section seems to be growing daily. They carry most titles on vinyl and CD, with a great selection of other music-related products including clothing, jewelry akin to those on Bijouteriehidous.com, DVDs, magazines, and much more I’m sure I’m forgetting. This past week, I had a chance to ask Melanie a few questions about the store.

Was there an archetype store for Music Saves? Several years ago when I was entertaining the idea of opening my own store, I always thought something like “Take the music selection of store X, add the atmosphere of store Y, then add my own element Z.” Is there somewhere out there that we’d see some of Music Saves in?

I think we cherry-picked a lot of elements from other stores, but they were usually minute details. I don’t know if there was one major influence. We always wanted to have a warm and inviting place that we would want to shop in. You probably see elements of the stores we spent the most time at… My Generation, Finders and Mad Hatter in Bowling Green, and Sound Garden in Syracuse, NY. I think we’ve also been shaped to some degree by our friendships with the wonderful people at My Mind’s Eye and Square Records. Additionally, we had a running list of things we didn’t want our store to be or have: snobby and mean record store clerks, racks that were hard to navigate or browse through, a store that wasn’t involved in the community… in some ways, the DON’T DO THIS list might have outnumbered the DO THIS list!

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Store Profile – Hodad’s Music International

Hodads Storefront

If you would have told me two years ago that there was a phenomenal vintage record shop right in the middle of my stomping grounds on the near west side of Cleveland, I would have made several guesses about which store you were talking about and all of them would be wrong. I had no idea Hodad’s existed until about a year and a half ago when a friend told me about some obscure northern soul 45s he had picked up there.

At first, I was confused about the nature of this store. I was sure it had to be a new place, I thought I knew every store in town! As it turns out, I must have been under a rock between 2003 and 2009, Hodad’s has been there the whole time. Earlier this week, I exchanged a few emails with Jon Mack, owner of Hodad’s, so he could tell us a little bit more about his shop.

In the few times I’ve been to Hodad’s since being tipped off to its existence last year, the term “best kept secret” comes to mind every time I stop in. Are you comfortable with people thinking of your store that way, or would you rather be the go-to place for all things vinyl in the Cleveland area?

One of the things about this store is that it hasn’t been open for full-time hours since 2004. We finally went back to full-time hours in September of last year. In the previous 6 years I decided to work from home and take care of my daughter and work in the store in the evenings. It was grueling at times, but made it all worth it.

The reason why I mention this is there are still people discovering the store now even in our 8th year of existence. I simply think the part-time hours and lack of advertising and such has made it like we’ve only been open 3 or 4 years as opposed to 8. In other words, some people are new or new customers and therefore it might be looked upon as a place that many aren’t aware of or a “best kept secret.” However, we have had many regulars who have shopped at the store since it first opened back on 2003.

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The Eternal 7″

As a teen in the mid-90’s, I got hooked on records early. A membership to the Pearl Jam fan club in 1993 or ’94 allowed me to get my first record. It was a 7″ 45 rpm single for their non-album cut “Angel.” But this post isn’t about that record, that’s just the beginning of my story. Early forays into my record collecting led me from those major-label grunge bands to Sonic Youth, who led me to the Lollapalooza tour they played in 1995. I went to that show with my dad in an old Econoline van that almost broke down on the way there, but left with a stack of catalogs. Do you remember catalogs? The ones I received were mostly all very similar: Records, CD’s, T-Shirts… everything a budding music fan would want to page through over and over again on lazy afternoons. This was my main source for everything music related.

Through all of this catalog reading, I got into fanzines. Through fanzines (and a certain passage of time), I got into internet newsgroups. I read constantly about bands, tours, rock ‘n roll lore, and records. One record in particular that really caught my eye was the RRR-100 7″. I’m sure I found out about it because Sonic Youth cohorts Jim O’Rourke and Merzbow were on the release, but it wasn’t so much the personnel involved that intrigued me, it was the nature of the release. This particular 7″ had 100 individual tracks on it, quite the feat for a medium that maxes out around ten minutes total. This was achieved by each artist only getting one revolution on the record, a locked groove. Of course, I couldn’t ever find this record, but I read all about it.

As it turns out, the record was cut by Aardvark Mastering, a name I kept in mind for several years to come. When it came time to put out a split 7″ between myself and a friend’s band, I sent the masters off to Aardvark because it seemed that they were the only logical choice, being the only ones daring enough to do such a release as a 7″ of only locked grooves. Our 7″ didn’t demand a whole lot of the mastering engineer, it was desperately lo-fi and well within all the time restraints of the medium. I think the only tough-ish request we had were a few custom etchings we wanted in the deadwax, something I thought was unique at the time, but it turns out it really isn’t.

RRR-100 Cover

RRR-100 Cover (First Pressing)

All of this lore came full circle a few months ago. I was flipping through the singles section at a local used bookstore. I go to this particular place because they have a surprisingly decent selection of 80’s pop music, something places with vinyl don’t always have a ton of. Either they’re too indie or too 60’s and 70’s oriented. Either way, I was extremely surprised to find a first pressing copy of the RRR-100 7″ amongst all the Phil Collins and Simple Minds singles. I took it home and tried to play each track, going along with the absurd tracklisting trying to figure out who was who. I lost my place about 20 grooves in on each side. It makes me wonder how tough it must be to navigate through some of RRRecords‘ more recent locked groove compilations. The RRR-500 and RRR-1000 compilations are 12″ LPs that contain 500 and 1000 locked grooves, respectively. The experience of paging through this release in particular (and my history with it) really defined what can be fun about the vinyl medium, and how after seventeen years of collecting, it can still be as fun as playing that first single.

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  • SUPPORTING YOUR LOCAL INDIE SHOPS SINCE 2007


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