Author Archives: Matthew Belter

The Helping Hands Concert & Auction held at the YouTube Theater in Inglewood on Friday night, was a truly unique benefit show infused with musical brilliance and heartfelt generosity. This year’s event, MC’d by none other than Jimmy Kimmel, honored two incredible charitable organizations—Montana Pool Service, founded by Pearl Jam’s very own Jeff Ament, and Homeboy Industries, led by Father Greg Boyle. Those lucky enough to attend this star-studded event were treated to live sets by Metallica, Sammy Hagar & Friends, and SistaStrings. The crowd, a mix of rock purists and charity supporters, was electric, creating an ambiance charged with insane energy and a one-of-a-kind communal spirit.

From the moment the first note rang out from SistaStrings opening set, YouTube Theater immediately proved its reputation as one of the most state-of-the-art venues on the planet today. With its impeccable acoustics and sleek design, every sound resonated by sisters Chauntee and Monique Ross immersed the ever growing crowd into the very core of their performance that evening. While only playing five songs, their set was just what the doctor ordered as the theater began to fill. It included a number of their hits including “Beautiful Reckoning” and Goodbye,” along with an incredible cover of Simon and Garfunkel’s “Bridge Over Troubled Water.”

Next up was Sammy Hagar & Friends and they immediately kickstarted the night with an ass-kicking performance that was nothing short of brilliant. This “Best of All Worlds” lineup featured bassist Michael Anthony, guitarist Joe Satriani, and drummer Kenny Aronoff. True to form, Sammy Hagar cranked up the energy to eleven as he worked through a dynamic selection of his hits that spanned his legendary 50+ year career.

The 10-song set opened with Van Halen’s “Good Enough,” and it was immediately clear that this band was ready for business on Friday night. Renditions of Montrose’s “Rock Candy” and Hagar’s 1982 classic “Heavy Metal” were sheer perfection, while Chickenfoot’ s “Big Foot” and “Oh Yeah” were jaw droppers for sure. The performance ended with “I Can’t Drive 55,” and capped off arguably one of the best Hagar shows I have seen in years. This guy is legend.

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Some bands crank out hits, and others create memories—Night Ranger does both. With their recent high-octane performance at the City National Grove in Anaheim, the legendary rockers delivered a show packed with energy, nostalgia, and musical precision that left fans screaming for more after the final bow on Thursday night. From the moment the lights dimmed and the first chords blasted through the venue, it was clear this wasn’t just a replay of past glories; it was a celebration of timeless rock done right. Simply put, it was Night Ranger at its finest.

Launching into the set with “You Can Still Rock in America,” Night Ranger immediately set the tone for the night—a love letter to ’80s rock, but with a vitality that felt very much alive in the here and now. The crowd, a mix of die-hard fans and new generations experiencing the band for the first time, roared their approval as the anthem filled The Grove’s intimate, yet electric atmosphere. You could tell that this show was going to be something special, as each band member was all smiles from ear to ear the moment they took the stage. It was the quintessential definition of stage presence, and one mastered over countless decades of touring around the world.

Jack Blades, the band’s charismatic frontman and bassist, worked the crowd masterfully, balancing powerhouse vocals with playful banter that made everyone in the room feel like part of the show. I’ve always been a fan of Blades incredible vocal range, and it was on full display and in perfect pitch all night long. Brad Gillis, Night Ranger’s original guitar wizard, was also in top form, shredding in ways that were both technically breathtaking and emotionally charged. His solos throughout the evening were a jaw-dropping highlight, an electrifying exchange of skill and passion that underscored why he is so beloved by so many, all around the world.

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Under the dazzling lights of the YouTube Theater in Inglewood, CA, heavy metal legends Judas Priest and Swedish powerhouse Sabaton delivered a relentless barrage of metal mastery that left the near-capacity amphitheater begging for more on Tuesday night. The double-bill was a celebration of pure, unadulterated rock, filling the venue with an energy that was pegging a “10” from the moment the first chord was struck. It was a night where leather, studs, and the universal language of headbanging united fans throughout southern California and beyond!

Sabaton kicked off the evening with their signature blend of power metal and historical storytelling as only they can do. Opening with the explosive “Ghost Division,” the band immediately set the tone for what would be a one killer performance. Frontman Joakim Brodén owned the stage with a presence that was both commanding and engaging, his voice soaring over the crowd with a clarity that was as impressive as it was powerful. The band’s set was a carefully curated journey through their discography, with standout tracks like “The Last Stand,” “Carolus Rex (Swedish Version),” and “Primo Victoria.”

Throughout Sabaton’s 12-song set, there was complete engagement from the crowd as they were dazzled with tracks that spanned their 25-year journey across the sonicsphere. Guitarists Chris Rörland and Thobbe Englund delivered blistering solos that showcased their technical prowess, while the rhythm section kept the audience’s pulse racing with the thundering bass of Pär Sundström and the insane drumming of legend Hannes Van Dahl. The show ended with one of my favorite Sabaton tracks, “To Hell and Back,” which was simply awesome—and a great way to end their set as they took one final curtain call for the evening.

As the stage was reset for Judas Priest, the anticipation in the air was almost tangible. When the lights dimmed and the killer riffs of “Panic Attack” echoed through the theater, the crowd erupted in a roar that could only rival a 747 at nearby LAX. Rob Halford, the Metal God himself, emerged in a blaze of glory, his operatic voice as fierce and formidable as ever. Halford’s vocal acrobatics were nothing short of awe-inspiring, effortlessly hitting notes that seemed to defy the limits of human potential (which he’s done so effortlessly for well over 50 years).

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On Tuesday night, the legendary Iron Maiden took the stage at the Kia Forum with the Mongolian rock maestros The Hu as their electrifying special guests, delivering a concert experience that left no soul in Inglewood untouched. With the venue packed to its capacity of nearly 17,000+, the air was electric as fans from all around the world gathered to witness a night of pure heavy metal magic as their Future Past Tour rolled through Southern California.

Kicking off the evening, The Hu set the tone with their unique fusion of traditional Mongolian music and modern rock. Their performance was a captivating blend of throat singing, horsehead fiddles, and roaring guitars that left the growing the crowd mesmerized. While the stage was dark and moody for the majority of the abbreviated 6-song set, they literally crushed their set including powerful renditions of “Yuve Yuve Yu,” “Wolf Totem,” and “This Is Mongol.” Throughout, many of The Hu’s hardcore fans were enthusiastically chanting along with the band, making their show a truly communal experience. The Hu’s musicianship and sonic delivery was on point, proving that their rising star in the rock world is well-deserved.

As the lights dimmed and the iconic sound of UFO’s “Doctor Doctor” rocked Kia, Maiden fans went into a frenzy and anticipation of the show’s inevitable start. As Maiden fans are accustomed to, the stage design was nothing short of epic, featuring amazing graphics, pyrotechnics, and a full size “Eddie’” that added a dramatic flair to the night. Opening with the thunderous “Caught Somewhere in Time,” Iron Maiden immediately had the audience in the palm of their hands.

Bruce Dickinson’s soaring vocals and Steve Harris’s galloping bass lines immediately drove the crowd wild while the three headed guitar-monster consisting of Dave Murray, Adrian Smith, and Janik Gers were on full display throughout the 15-song set. And let’s not forget Nicko McBrain on the drums—all I can say is wow, this guy is pure legend.

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Under the vibrant lights of the Kia Forum, a musical spectacle hailed as the Popular MonsTOUR II unfolded in front of 6,000+ fans and was nothing short of an electrifying. Featuring Ronnie Radke and his band Falling In Reverse, the evening provided an explosive energy that engulfed Inglewood, setting the tone for an unforgettable night of rock and hip-hop. (Yes, you heard that correctly.) A convergence of diverse musical talents, each act brought its own unique flavor, creating a dynamic fusion that hit home for the raucous crowd looking to burn off some energy on a cool Thursday night in the City of Angels.

Opening the night, Jeris Johnson injected a surge of raw energy with his signature blend of rock and modern pop sensibilities. Donning what looked to be some type of crazy animal pelt, his set was a quick but entertaining featuring tracks such as “Welcome to Valhalla,” “My Sword,” and cover of Seal’s “Kiss From a Rose.” Jeris’s charismatic stage presence was a masterclass in engaging an ever-growing crowd, leaving a lasting mark on all who witnessed this killer performance.

Next up, Tech N9ne took the stage (with a full band) and unleashed once again a torrent of lyrical prowess. His “chopper-style” delivery and unmatched flow dazzled Technicians crowding the barrier with hits such as “Einstein,” “Caribou Lou,” and “E.B.A.H.” Tech N9ne’s command over the stage was immediately evident, as he effortlessly melded intense beats with emotionally charged verses, creating an electrifying atmosphere that was simply second to none. Tech’s set, although abridged, was my favorite of the evening and highlighted his true artistry in spades.

Dance Gavin Dance followed, weaving a tapestry of intricate melodies and powerhouse vocals that captivated the Forum. With tracks like “Synergy,” “Carve,” and “We Own the Night,” they showcased their signature post-hardcore flair, blending soaring choruses with infectious hooks. The interplay between Andrew Wells and Jon Mess was a sight to be seen with their dynamic vocal exchanges nothing short of mesmerizing. Their 8-song set left the audience dripping in sweat and screaming for more as they took their final curtain-call of the evening.

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The Intuit Arena in Inglewood, CA, was engulfed in a storm of metal mayhem on September 14th as Slipknot, Knocked Loose, and Vended delivered an unforgettable night of raw energy and sonic brutality. The second consecutive night of the Here Comes the Pain Tour proved to be more than just a concert; it was a visceral experience, a communal gathering of metalheads who came together to celebrate the 25th anniversary of Slipknot. From the first crushing riff of “(sic)” to the final blistering encore of “Scissors,” the evening was packed with metal mayhem at its finest—providing fans with arguably the best metal performance in Southern California this year (and it wasn’t even close).

Vended kicked off the night, setting the stage with their intense and electrifying performance. As the sons of Slipknot members Corey Taylor and Shawn Crahan, Griffin Taylor and Simon Crahan led the band with a commanding presence that stunned the senses of an ever growing crowd. Vended tore through a setlist that included tracks “Serenity” and “Asylum,” captivating the audience with their raw, unpolished sound and passionate delivery. The crowd absolutely loved this band, moshing and headbanging to an abbreviated 6-song set. As a newcomer to the Vended, I was absolutely impressed by their ability to hold their own on such a prestigious stage. I look forward to seeing them live as a headliner in the not so distant future.

Next up were Knocked Loose, who delivered a punishing set that left no room for breathers. With Bryan Garris at the helm, the band unleashed a sonic assault that had the crowd surging forward, eager to participate in the chaos. Tracks “Mistakes Like Fractures” and “Suffocate” turned the Intuit arena into a sea of bodies, the intensity of the music mirrored by the frenetic energy of the fans. Knocked Loose’s performance was a testament to their reputation as one of the most ferocious live acts in the hardcore scene. They wrapped a 14-song set with “Everything is Quiet Now,” and placed a huge exclamation point on what turned out to be one fucking incredible show.

The anticipation reached its peak as Slipknot finally took the stage. The lights dimmed, and the crowd erupted into a deafening cheer, the air thick with anticipation. As the first notes of “(sic)” rang out, it was clear that the metal juggernauts were back and ready to deliver one of their trademark explosive performances. Clad in their iconic masks from 25 years prior, Slipknot unleashed a relentless barrage from its self-titled LP Slipknot, which they played in its entirety. Each song was accompanied by a spectacular visual display including trademark smoke and lighting effects that heightened the intensity of the performance.

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On Friday night, the YouTube Theater in Los Angeles roared to life as metal titans Megadeth, Mudvayne, and All That Remains took the stage for a night that fans will remember for years to come. The Destroy All Enemies Tour delivered a blistering showcase of raw talent, heavy riffs, and sheer energy, leaving the sold-out crowd breathless and begging for more. The best metal show I’ve seen so far in ’24 and it wasn’t even close…

Kicking off the evening, All That Remains set the tone with an explosive performance that had the crowd on their feet from the first note of “Now Let Them Tremble.” The metalcore veterans unleashed a powerful set, including fan favorites like “This Calling,” “Two Weeks,” and their latest single “Let You Go.” Phil Labonte’s commanding presence and the band’s tight musicianship ignited the audience, setting the stage for what was to come.

Next up, Mudvayne stormed the stage with their signature chaotic energy, sending the audience into a frenzy. From the opening bassline of “Dig” to the haunting melodies of “World So Cold,” every song was a visceral experience. Chad Gray’s theatrical performance and the band’s electrifying presence had fans screaming along to every word. Tracks like “Death Blooms” and “Happy?” showcased Mudvayne’s unique ability to blend aggression with melody, making for an unforgettable set that fans would not soon forget.

As the anticipation reached its peak, Megadeth emerged, greeted by deafening cheers from the packed house. Dave Mustaine and company wasted no time, launching into “The Sick, The Dying…and the Dead,” which immediately set the tone for their powerhouse performance. The thrash legends delivered a masterclass in metal, ripping through classics like “Sweating Bullets,” “Trust (my favorite),” and of course, “Symphony of Destruction.”

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Wednesday night’s Shinedown concert at Yaamava was nothing short of electrifying. From the moment the lights dimmed to the final encore (and everything in between), this amazing theater was charged to the brim with nonstop energy and excitement that only Brent, Zach, Eric, and Barry can deliver. The band’s dynamic 2-hour performance left a lasting mark on the near capacity crowd, delivering a night of unforgettable music that had fans from all over Southern California on their feet all night long. The Sound of Madness was definitely in full effect at San Manuel.

I don’t know about you, but I was not always a Shinedown fan. I knew of the band for many years, but never dug into their music until a good friend suggested I listen to “Call Me.” I was immediately hooked and quickly became a fan. My love for the Shinedown only intensified when I dug into their amazing background story, only to find that many of their songs were directly focused on mental health, the band always looking to raise awareness for mental well-being and suicide prevention. I finally took the time to catch one of their live performances and, like many, finally became hooked, never looking back.

Wednesday’s show kicked off with a powerful rendition of “Devil,” setting the tone for an evening’s high-octane performance. In typical fashion, Brent Smith was all over that stage, interacting with fans right up front as well as those in the back of the theater. As typical at Shinedown shows, he asked fans to connect with others around them with a “high-five,” building the community they would share for the next few hours. Shinedown’s 15-song setlist featured a perfect blend of their greatest hits and fan favorites including “State of My Head,” “45,” and “Sound of Madness.” Each song was delivered with precision and passion, showcasing the band’s musical prowess and ability to connect with the audience on a deep, emotional level.

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The Rolling Stones delivered a masterclass in rock ‘n’ roll at SoFi Stadium on night one of a two-night visit to Southern California supporting their 2024 Hackney Diamonds release. From the moment Mick Jagger strutted onto the stage, clad in an eye-catching sequined jacket, to the first strains of “Satisfaction,” the band captivated a multi-generational audience with their timeless energy and magnetic stage presence. This show wasn’t just a concert; it was a testament to the enduring power of rock music and a vivid reminder that the Stones (at 60+ years as a band) in are still very much the Kings of Rock and Roll.

Opening Wednesday’s show at Sofi was Grammy nominated artist The War and Treaty. This husband and wife duo that has been blazing trails and making music since 2014, and they were a perfect fit to kick things off in SoFi. My favorites from the set were “Called You By Name,” “All I Wanna Do,” and of course my favorite “Blank Page.” While many classify the band as country, I walked away feeling they were a hybrid of that along with rock and blues. Their sound was amazing and left me wanting more when their eight song set ended. It was a perfect primer for what was next to come, The Rolling Stones.

The Stones 20-song setlist on Wednesday was a carefully curated journey through the band’s extensive catalog, kicking off with the unmistakable riff of “Start Me Up.” The crowd erupted, and from that point on, the energy in the stadium never waned. As Jagger emerged center stage (flanked by Keith Richards and Ronnie Wood), you could tell the Stones would be on point with an incredible energy and sonic presence that is truly second to none. At 80 years young, Mick Jagger has more stamina and energy than most bands in their early 30s and it isn’t even close. That’s not a brag, but fact.

Key moments from the evening included rousing renditions of “Tumbling Dice,” and “Paint It Black” (one of my all-time favorites). Another highlight was “Gimme Shelter,” which featured a killer duet with background vocalist Chanel Hayes. These two walking out hand in hand were simply amazing. And who can argue with one of the most recognizable Stones tracks of all time, “You Can’t Always Get What You Want”? This one seemed to feature the entire group and highlighted to everyone in attendance what incredible stage presence this band actually has as a whole.

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The recent sold-out concert featuring Foreigner, Styx, and John Waite at the Honda Center in Anaheim was a night to remember, a true celebration of classic rock that brought together fans from all walks of life. The evening was filled with legendary hits, epic performances, and unforgettable moments as each band took to the stage to deliver a show that highlighted their enduring appeal and musicianship. This event not only showcased the bands’ iconic songs but also their ability to connect with the audience through music that has withstood the test of time. Pound for pound, one of the best rock shows I have seen in 24’ and it’s really not close.

John Waite kicked off the night, setting a high bar with his impeccable vocals and charisma. The 8-song set comprised classics from his solo work, The Babys, Bad English, and even a few covers. His renditions of hits like “Missing You” were poignant and powerful, reminding everyone why he’s considered one of rock’s great voices.

And Waite’s not just an amazing vocalist, but a consummate storyteller too which bleeds out on stage during every performance. And if you haven’t seen his 2022 documentary, John Waite – The Hard Way, you absolutely should. It’s one of the best I have seen in years and highlights in spades why John Waite is so loved by so many all around the world. Waite has always been one of my favorites, and his incredible performance didn’t disappoint on Friday night.

Styx took the stage next, igniting the venue with their dynamic presence and intricate musical arrangements. Their 11-song set was a perfect blend of rock anthems and ballads, with highlights including “Come Sail Away” and “Rockin’ The Paradise, and “The Best of Times.” The band’s energy was infectious, compelling everyone to stand, sing, and celebrate the timeless nature of their music.

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On June 21st, metal-heads from all over the Southern California gathered at the Honda Center for The OC Hair Metal Meltdown. It was a dazzling spectacle that transported fans back to the golden era of ’80s hair metal (if we can call it that). This one-off show featured powerhouse performances by Great White, Quiet Riot, Slaughter, and Vixen, and the overall show was nothing short of a nostalgic feast for fans in attendance on Friday night.

As the lights dimmed, the crowd roared in anticipation as Vixen took the stage. Before kicking off their set, the iconic all-female band first introduced their newest member, vocalist Rosa Laricchiuta. After a rousing ovation from loyal fans who came early, Vixen kicked off their set with “Rev It Up” and there was no looking back from that point forward. They delivered an abbreviated 6-song set that was both electrifying and empowering. Hits like “Edge of a Broken Heart” and “Cryin'” showcased their enduring appeal and incredible musicianship.

Next up was Slaughter, whose energetic performance cranked the Honda Center to a whole new level after Vixen’s amazing performance. Mark Slaughter’s high-pitched wails and the band’s tight instrumentation brought classics such as “Up All Night” and “Fly to the Angels” to life. My favorite, however, was Spend My Life,” as it immediately transported me back to a time and place where all that was mattered was the music. Wow.

The crowd’s reaction to Slaughter’s set was overwhelming, with fists pumping and voices singing along to each and every song. And hats off to bassist Dana Strum. This guy was 100% energy from the very beginning and never dialed it back during their 9-song set of true Slaughter classics. Best-in-class performance on Friday and it wasn’t even close.

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On Sunday night in front of a packed house at YouTube Theater, rude boys and rude girls from all over Southern California paid homage to ska legends Madness with hometown heroes Berlin and The Untouchables. The sold-out venue was electric from start to finish, with fans skanking to classic tracks all night long. With perfect acoustics and an incredibly lively fan base, the evening proved to be an unforgettable celebration of music that won’t soon be forgotten. Madness and their long-awaited C’est La Vie Tour was truly one for the ages.

The evening’s festivities kicked off with The Untouchables who immediately set the tone for the night with their unique blend of ska and soul. Their hometown performance was a high-energy spectacle that engaged the audience right from the start. Original vocalist Chuck Askerneese was on fire from the start and had the crowd skanking to hits like “I Spy (For the FBI),” “Mandingo,” and “Be Alright.” All these classics showcased their musical versatility and were incredible to catch live. However, it was “Free Yourself” that truly captivated everyone, with its powerful lyrics and infectious rhythm. The audience responded with enthusiastic dancing and loud cheers, setting an incredibly positive mood for what was to come next.

Following The Untouchables, Berlin took the stage and transported the audience back to the ’80s for a 9-song set of their classics—and it didn’t disappoint. Starting with back-to-back hits like “Masquerade” and No More Words,” the crowd was immediately captivated. Their rendition of “The Metro” (my favorite Berlin song) was a nostalgic trip down memory lane, and the live performance of “Sex (I’m A)” was both provocative and captivating. However, my favorite track of the evening was their cover of The Cult’s “She Sells Sanctuary.” Wow. Berlin’s charismatic stage presence (courtesy of original members Terri Nunn, John Crawford, and David Diamond) was incredible and kept fans fully engaged from start to finish. And a special shout out to Carlton Bost. This guy’s guitar work is second to none and was so amazing to watch on Sunday night.

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The Cruel World Festival, held at Brookside at the Rose Bowl on May 11th, was a time machine back to the golden era of ’80s goth and new wave, encapsulating the essence of a musical revolution that has remained influential to this very day.

From the moment the gates opened, it was clear that this wasn’t just a festival; it was a pilgrimage for the devotees of a sound that defined a generation. My generation. A crowd estimated at 50,000+ brought with them an infectious energy, creating a festival atmosphere that was nothing short of magical in the shadow of America’s stadium. But at the end of the day, it was Al Jourgensen and his band Ministry that stole the Cruel World spotlight on Saturday. Their performance was one for the ages featuring a rare setlist that most likely won’t be repeated on any stage ever again.

The 2024 lineup was a dream come true for fans, with performances by iconic acts such as Duran Duran, Blondie, Soft Cell, and Interpol. Each band brought their unique flavor to the stage and wowed fans traveling from all parts of the country and beyond. Duran Duran’s electrifying performance had fans dancing to hits that have become anthems, while Blondie’s timeless cool and Interpol’s brooding melodies ensured the festival’s energy never waned. Then sprinkle in a touch of Marc Almond and Soft Cell, creating a Non-Stop Erotic Cabaret at Cruel World and a party not to be missed.

However, the festival’s highlights didn’t stop with the headliners—quite to the contrary. Ministry’s throwback setlist, featuring tracks from With Sympathy and Twitch, was a rare treat for fans as most of these gems had not been played live since the early ’80s. From “Work for Love” to “Effigy (I’m Not An)” to “Revenge,” most were in pure darkwave heaven the entire set. We even got to hear “(Everyday Is) Halloween” which was one of my favorite dance tracks as a teenager (and I song I NEVER thought I’d hear (or photograph) live. Wow. Pound for pound, Uncle Al and Company put on what I believe was the best overall performance of the Cruel World festival, bar none.

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