Beginning in the late 1970s, The Cramps developed a large cult fan base in Washington, DC for a variety of reasons: our proximity to NYC, true champions in the music press (Joe Sasfy, Howard Wuelfing), regular college radio play at WGTB and WMUC, simpatico bands to play with (Slickee Boys, Tex Rubinowitz), but most notably, a series of unforgettable performances at the LBJ Club, Psyche Delly, Ontario Theater, and the Hall of Nations at Georgetown University. The Cramps became one of our own, and to this day are credited with altering the musical paths of many lives, including yours truly. (Outrageous Music Festival at Warner Theater in May 1979, Root Boy Slim didn’t have a chance).
The Cramps also launched concert promotion company I.M.P. as the first headliner they ever booked on May 29, 1980. Unfortunately, the band never showed up (and you can read about it here under “What happened when Sam gave up the Ontario?”) But 37 years ago today they did make it back, on a four band show that included Teen Idles, soon to spawn Minor Threat.
Another local who had the Cramps change his life is Steve Blickenstaff of Frederick, MD, the artist behind one of the most iconic album covers ever, The Cramps’ compilation Bad Music for Bad People released in 1984. And his story takes place at the hallowed ground known as 930 F Street. Here’s the story, in Steve’s own words.
So you’re Cramps fan from Frederick, MD?
Exactly. I grew up here. I remember the first album that was released was actually the Gravest Hits which wasn’t even a full album, it was sort of like an EP. That was the first thing that was released on IRS Records and as soon as I heard that I was immediately a fan.
Were you always a cartoonist?
Ever since I can remember I was always drawing cartoons and monsters and different kinds of illustrations, and pretty much out of high school I started doing stuff for fanzines—not really comic books, but t-shirt designs for bands, local friends’ bands, and things like that. And I kind of got more and more into it as time went on.
I still work for the school system in Frederick as a graphic designer, but I do a lot of freelance art on the side, so I do a lot of stuff for bands and things like that these days.
You were a fan of the Cramps and you started bringing them artwork when they would appear in DC?
Right, in fact, any time I saw them even outside of the city. I saw them in Pittsburgh, I’ve seen them in different places, but I would always give them artwork at every show.