Monthly Archives: December 2022

TVD Radar: Second Layer, Courts Or Wars red vinyl in stores 1/20

VIA PRESS RELEASE | Adrian Borland and Graham Bailey might be better known as members of legendary post-punk group The Sound, but the two were childhood friends and had been playing together even earlier in The Outsiders, and continued their deep musical rapport as a duo, creating these intense and engaging songs as Second Layer at the same time as their higher profile band output.

Restoring the original tapes and combining their early recordings, including the tracks from the 1979 “Flesh As Property” EP and 1980 “State Of Emergency” EP, Courts Or Wars takes its title from the first song that served as the pair’s introduction to listeners. Right from the beginning you are enveloped in what The Quietus described as, “a monochrome worldview morbidly obsessed with the dehumanizing effect of war, nuclear weapon annihilation, and the fracturing and negation of the self within an increasingly distorted and technologically mediated society.” Where The Sound fit snugly next to Echo And The Bunnymen, Second Layer had far more in common with the pulsing menace of Suicide.

Borland’s familiar vocals and sense of melody hold a connection to his other songwriting, but within these songs he takes far more risks in his guitar work to suit the subject matter. What really drives everything is Bailey’s propulsive bedrock, formed by his homemade pre-drum machine rhythm generators, creating an innovative mechanical approach that somehow inserts a jittery neurotic touch that merges perfectly with his electronic layers driven by the wasp synth, various unique effects boxes or tape loops. Adding Bailey’s own distinctive bass playing, the results feel personal and experimental, pointed and harsh, while also bracingly accessible and covered in dark manic energy.

Over forty years later, these recordings feel shockingly appropriate. In painting a bleak reality and frightening future, there is real desperate beauty here.

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Graded on a Curve:
Thee Headcoats, Elementary Headcoats: The Singles 1990–1999

Celebrating Billy Childish on his 63rd birthday.Ed.

Wild Billy Childish has played in many bands, with Thee Headcoats arguably the biggest. Flaunting ’60s beat rock swagger, ‘70s punk energy, and a prole-art thrust of unquestionably British persuasion, for roughly a decade the trio of Childish (guitar and vocals), Johnny Johnson (bass), and Bruce Brand (drums) produced an unrelenting stream of material. Keeping up with it all could be a daunting task, but Elementary Headcoats: The Singles 1990-1999 admirably sequences 50 tracks across two compact discs or three vinyl records; first issued in 2000, and back in print through Damaged Goods.

Author, poet, painter, photographer, filmmaker, publisher, and of course musician: Chatham, Kent, UK’s Billy Childish remains a crucial figure in various movements, and foremost amongst them is punk rock. By the formation of Thee Headcoats in 1989 he was already a veteran of a half-dozen outfits, the most well-known being the Pop Rivets, The Milkshakes, and Thee Mighty Caesars.

In sonic terms Childish is oft and fairly categorized as an indefatigable extender of the garage impulse, but just as importantly he can be assessed as an exponent of Brit DIY, a phenomenon linked to the rallying cry from the b-side of the Desperate Bicycles’ ’77 single- “it was easy, it was cheap—go and do it!” Scores took the advice either directly from the Bikes or through inspired peers, and subsequently Wild Billy’s activities gushed more abundantly than any industry would deem appropriate; in 1984 The Milkshakes released four albums…on the same day.

Childish’s longevity is largely defined by a constant tinkering with inspired simplicity. Proving impervious to fashion, he’s influenced numerous trendsetters along the way, and folks considering punk as an era or phase rather than an undefeatable style are likely to rank him as a curiosity or a fly-in-the-ointment. His racket is well summed-up by a verse from Alternative TV’s “Action Time Vision,” a tune tackled by Thee Headcoats in ’93 and one of this set’s highpoints: “Quarter notes don’t mean a thing/Listen to the rhythm, listen to us sing.”

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TVD Radar: The Rolling Stones, GRRR Live! 3LP variants in stores 2/10

VIA PRESS RELEASE | The Rolling Stones have today announced the release of GRRR Live!, THE definitive live hits album from the band’s career. Released on February 10 via Mercury Studios, the album will be available in various formats; 3LP black, 3LP coloured white (Indies exclusive), 3LP red (d2c exclusive), 2CD, DVD + 2CD, BluRay+ 2CD. The Blu-ray and digital versions will include Dolby Atmos.

The best live band in the world deserve the ultimate live greatest hits album and GRRR Live! is it, The Stones at their best! The album is available to pre-order here and features some of the greatest songs of all time including “It’s Only Rock ‘n’ Roll (But I Like It),” “Honky Tonk Women,” “Start Me Up,” “Gimme Shelter,” “Sympathy For The Devil,” and “(I Can’t Get No) Satisfaction.”

The Rolling Stones celebrated their golden anniversary in 2012 and 2013 by embarking on the 50 & Counting Tour, a 30-show itinerary for North America and Europe. On December 15, 2012, the band took the stage at Newark, New Jersey’s Prudential Center for the final of four shows in the New York area.

Featuring guest appearances by The Black Keys (“Who Do You Love?”), Gary Clark Jr. and John Mayer (“Going Down”), Lady Gaga (“Gimme Shelter”), Mick Taylor (“Midnight Rambler”), and hometown hero Bruce Springsteen (“Tumbling Dice”), the concert proved to be one of the most memorable shows in the band’s history.

Since its original airing on pay-per-view in 2012, this show has not been available to fans until now. The concert has been re-edited and the audio has been remixed. Three songs from the December 13 show (also in Newark) will be available as bonus features on the DVD and Blu-ray: “Respectable” (with John Mayer), “Around And Around,” and “Gimme Shelter.”

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Graded on a Curve:
Owen Broder,
Johnny Hodges: Front and Center, Vol. 1

It’s likely that most folks familiar with Johnny Hodges know him for his crucial role as alto saxophonist in the orchestra of Duke Ellington. There’s not a thing wrong with the parameters of that knowledge, but in fact Hodges’ career encompassed more. Those looking for a welcoming contemporary entry point into Hodges’ artistry should check out saxophonist-bandleader Owen Broder’s new album Hodges: Front and Center, Vol. 1, which is out now on vinyl and digital via Outside in Music. Covering both long-celebrated and lesser-known works, it features exemplary playing by a top-flight band embodying the warmth and vigor that endures at the heart of Hodges’ music.

Based in New York City, Owen Broder is an instrumentalist specializing in four saxophones (soprano, alto, tenor, and baritone), clarinet, bass clarinet, and flute. Along with leading the American Roots Project and his quintet Cowboys and Frenchman, Broder has played in numerous collaborative bands, has worked in theater pits on and off Broadway, and is an award winning composer and arranger.

For Hodges: Front and Center, Vol. 1, Broder is joined by trumpeter Riley Mulherkar, pianist Carmen Staaf, bassist Barry Stephenson, and drummer Bryan Carter. Collectively, they pull off a difficult task, remaining true to the stylistic essence of the sources while avoiding coming off like a second-rate imitation or a fragile relic.

It helps that the compositions chosen are varied and even surprising and yet don’t sideline the importance of Ellington in Hodges’ creative trajectory. For instance, opener “Royal Garden Blues,” a Clarence Williams-Spencer Williams composition from 1919, is connected to Duke through the song’s inclusion on the 1959 small-group album for Verve, Back to Back: Duke Ellington and Johnny Hodges Play the Blues.

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In rotation: 12/1/22

Kansas City, MO | Kansas City’s Revolution Records Serves Up Community Interaction & All Things Music: Revolution Records finds itself at the crossroads of community and passion. The Kansas City record shop is proudly curated for curious nerds and avid music fans who crave that classic record shop experience. The shop is curated for discovery, their shelves are lined with new/used LPs just waiting to be picked up, played, and loved, they also carry a treasure trove of other memorabilia like books and stereo equipment that are all curated with the music nerd in mind. Revolution Records have built a strong community around its shop by interacting with other locally-owned businesses to put together fundraising events to support a wide array of causes. Their unbridled passion for music and community makes Revolution Records a one-of-a-kind record shop that puts an emphasis on curiosity with a welcoming smile.

Los Angeles, CA | 3 Best Vinyl Stores in Los Angeles, California: Between the 1960s and 70s, vinyl record sales were at their peak. As technology progressed, our society saw a decline in vinyl sales and an incline in cassette tapes, 8-tracks, CDs, and MP3s. With the uptake of streaming platforms these days, most of those technologies used in the past have become obsolete for the masses. However, vinyl records have been making a swift comeback in younger generations. Audiophiles have been collecting and playing vinyls for years now, but as mentioned before record culture has infiltrated the younger generations, making it one of the most popular ways to listen to music besides streaming. With vinyls, you get to experience music in a whole new way. The act of sliding a record out from its sleeve, placing it on the turntable, setting the needle, and hearing your favorite artists play can be euphoric for some people.

10 Gift Ideas For The Discerning Vinyl Enthusiast: Every holiday season, I always think about a time in middle school one of the local metal girls told me she used a switchblade to discreetly unwrap what looked like records underneath the Christmas tree. (It was 1987 in upstate New York so Santa’s sleigh was heavy with copies of Girls Girls Girls and Look What The Cat Dragged In.) As we approach this year’s festivities, SPIN has whittled down 10 outstanding new vinyl records for the music junkie in your life (and if the said fan is a metalhead, be wary of the switchblade trick.) The following is an eclectic collection of modern classics from a wide swathe of genres and styles, from the cooler-than-cool to the sentimental old fool.

Vinyl Pursuit: A Journey Towards Providing the Best Music Experience: Tammy Brown, the principal owner of Vinyl Pursuit wanted to turn one of her hobbies of collecting Vinyl records into a profession. That’s when she conceptualized Vinyl Pursuit – a one-stop website for vinyl record lovers that sold records and accessories associated with it. Tim from Vinyl Pursuit said, “Tammy was looking to do something next. One of her hobbies is Vinyl records. She owns a sophisticated audio record-playing amplifier speaker system personally. Plus she’s got many contacts and people she knows in the music business. So the suggestion was raised that maybe she should or could start up a website that sold vinyl records.” While this generation of millennials seems to embrace digital streaming, Vinyl Pursuit chose to bring back vinyl records for music purists. Most of its customers trust Vinyl Pursuit’s ways to acquire the records before making them available to its customers.

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