Ewart Beckford, better known as pioneering Jamaican toaster U-Roy, passed on February 17 of last year, a sad occurrence salved somewhat by the belated emergence of Solid Gold U-Roy, a double LP originally slated for release in 2020 but delayed by the Covid pandemic. While the CD came out last June, the gold vinyl edition didn’t hit stores until just last month. Although loaded with guest appearances including Ziggy Marley, Santigold, Shaggy, Sly Dunbar and Robbie Shakespeare, Big Youth, and Mick Jones, the set avoids the grandiose bloat of an over-orchestrated farewell. Intended as U-Roy’s next album rather than his last, it’s available now through Trojan Jamaica and BMG.
Both an innovator and an enduring recording artist, U-Roy’s impact on Jamaican music is considerable. While it’s impossible to know who exactly did it first, U-Roy’s toasting efforts have been cited as the earliest examples on record; they’re heard extensively on the 1971 Version Galore LP, which collects material cut in 1969-’70. Additionally, U-Roy was reportedly toasting live as far back as 1961, lending credence to his nickname “The Originator.”
Toasting (or deejaying), for those unfamiliar, is the act of talking or chanting over a reggae instrumental foundation, sometimes in combination with a singer. Occasionally described as the framework for early rap MCs, toasting also links roots reggae (where the technique flourished) to the dancehall style that followed, and it remains a vital component of Jamaican music right up to the present.
U-Roy’s early work holds lasting appeal (Trojan’s 2CD expansion of Treasure Isle’s original Version Galore LP, especially), but it’s really his self-titled set for Bunny Lee’s Attack imprint from 1974 followed by a string of recordings in connection with the Virgin label, specifically Dread in a Babylon (’75), Natty Rebel (’76), Rasta Ambassador (’77), and Jah Son of Africa (’78), that constitute his sturdiest stretch.
Bella Union’s Simon Raymonde On The Vinyl Landscape: The on-going vinyl resurgence is one of modern music’s most remarked-upon phenomenons. A format condemned to the bargain bins during the 90s, the rise of the CD – you can famously smear jam on ’em and they’ll still play – seemed to demolish all in its path. Yet the warm audio glow vinyl offers, and its sense of heritage, brought the format back from the brink, with a new generation of fans re-claiming it. The past decade or so has brought a vast percentage increase in vinyl sales, with catalogues re-booted and fresh artists requesting that their music appear on black wax. Yesterday – December 29th – saw the BPI unveil a new round of eye-watering percentage marks, with vinyl enjoying its best year in British music since 1988. For those on the ground, however, it hasn’t been quite simple. The architecture for pressing vinyl is now being far out-stripped by demand, meaning that small labels – who initially brought the vinyl resurgence into being – were pushed to the sidelines, experiencing lengthy delays on manufacture.
Sayville, NY | Better Nature Records shop brings music, fashion and ‘chill’ to Sayville: Michael Gippetti believes every community needs a record shop. “Every community has a barber shop, a gas station, a hardware store, a liquor store — got to have our liquor — but you don’t see enough record shops,” said the 37-year-old Oakdale resident who opened his Better Nature Records shop in downtown Sayville this fall. “Record shops promote the local festivals and bands. There’s so much to do.” Located at 56 S. Main St., Better Nature Records offers more than just music. Gippetti sells everything required to dive into rock culture. Used vinyl records fill bins throughout the shop, rock band tees lay on shelves and guitars hang from the ceiling. Clothing racks throughout the store boast black jackets, Eleven Paris sweaters and hoodies and All Saints boots. The store also carries new vinyl. Shrink-wrapped classics like “Led Zeppelin” and “Are You Experienced?” join newer albums like St. Vincent’s “Daddy’s Home” and The Black Keys’ “Let’s Rock.”
Here Are Some Black-Owned Record Stores That Are Helping Vinyl Have Its Biggest Year In Decades: …There are plenty of reasons for this jump in vinyl sales, with most having to do with consumers increasing interest in the novelty and vintage item that’s still connected to today’s music. This interest is catered to by record stores all over the country as well as the annual Record Store Day campaign. While big artists like Adele, Taylor Swift, Billie Eilish, Olivia Rodrigo, and more are responsible for a heavy percentage of vinyl sales, the companies that go above and beyond with their consumers also played a large part in this. Stores that seek to do more than sell vinyl, and instead, build themselves as staples in their communities will always have old customers coming back while piquing the interest of new ones. Plenty of stores across the country do this, but there’s a specific uniqueness and communal aspect that’s present in Black-owned record stores. So here are six Black-owned record stores across the country that helped to give vinyl sales its biggest year in decades.
UAE | A UAE beginner’s guide to buying and listening to vinyl records: Vinyl sales are the highest they’ve been in three decades, so if you’re thinking about diving into the hobby, here’s a crash course on what you need. Vinyl sales are booming. In the era of Spotify and Apple Music, where millions of songs are only a thumb flick away, vinyl records may seem like a perplexing, if not antiquated, form of consuming music. In fact, less than two decades ago the medium was almost obsolete, but was saved by a few dedicated enthusiasts. But things seem to have come around for records. According to an annual report by the British Phonographic Industry (BPI), purchases for vinyl LPs in the UK made up for 23 per cent of album sales in 2021. The figure is impressive, especially considering it’s the highest it’s been since 1990. So what has inspired many to get back in the groove?
Metallica turns forty! If band years were calculated similarly to dog years, that would make Metallica (breaks out calculator) pretty freaking old. Let’s face it, the Four Horsemen have defied all odds by endured the ups and downs of being a band. From line-up changes to experimental music projects (LuLu) to putting all their shit out there for everyone to see (Some Kind of Monster) they’re seemingly bigger than ever, so it’s not a surprise that they’ve taken this as an opportunity to thank their loyal fans.
Unlike the series of intimate gatherings that marked their 30-year anniversary, Metallica decided to be more inclusive this time around, literally taking over San Francisco for the weekend with a series of events, gatherings, and community projects peppered between two mega-arena events at the Chase Center. All told, the festivities had fans traveling from around the world to participate.
Without an opening band, Metallica relied on comedian Dean DelRay and DJ Lord (Public Enemy) to warm up the crowd as they got their first glimpse of the stage. Historically big fans of playing in the round, Metallica unsurprisingly stuck with their tried-and-true approach, augmenting the production with massive curved LED screens of various sizes on which videos queued the arrival of the band. But there’s nothing quite like “The Ecstasy of Gold” to trigger that pavlovian response in every Metallica fan’s brain knowing that the band is about to take the stage as they join in singing.
Rob Garza and Eric Hilton continue to up their game with what undoubtedly was one of their finest live performances of 2021. From start to finish, the Thievery Corporation’s gathering in Los Angeles was spectacular and a much-needed diversion from all the chaos most have experienced over the past few years. If this show is an indicator of things to come for Thievery, sign me up.
When folks ask me about Thievery Corporation’s sound, I always answer the same way. “Thievery’s sound is like no other. It’s an eclectic mix of dub, electronic, rock, reggae, and lounge that is always evolving and never quite the same.” Since the band’s inception back in 1995, many have tried to imitate TC’s unique sound, yet few have even come close to the cosmic blueprint that Rob Garza and Eric Hilton laid out so many years ago. And 25+ years later, their indelible brand keeps getting stronger and their amazing fanbase continues to grow. Could all bands be so lucky?
Opening for Thievery Corporation on Friday night was Dessa. This multi-talented singer, songwriter, and of course, rapper, dazzled the thousands of fans in attendance with a killer set that highlighted why Thievery asked her to support their West Coast tour. Dessa’s unique brand of rap engaged the packed house from her very first note and didn’t let up until the lights flickered back on.
While not being surprised by her ridiculous talent as a performer or lyricist, what did catch me off guard was how engaged the crowd was (considering Dessa was the opener). Many in the general admission pit sang along with Dessa word for word throughout her entire set, and that’s rare in a world where many seem to blow off opening acts for photo moments, libations, or socializing with friends in the lobby. Check out Dessa live when you can, she’s awesome and well-worth the price of admission.
When it comes to the shams, scams, and sleight-of-hands that categorized mid- to late sixties bubblegum music, there are few better examples than the Ohio Express. Chewing gum songsmith for hire Joey Levine wrote and sang most of the hits backed by studio musicians, while a band of ringers (whose name was changed not by them but by Buddah Records and Super K Productions’ legendary producers Jerry Kasenetz and Jeff Katz) were shanghaied into bang-shang-a-langing the songs on the bubblegum concert circuit.
As Becky Ebencamp notes in Will the Real Ohio Express Please Stand Up?, Levine and the guys who played live and appeared on the album covers rarely crossed paths. And there was hardly a ruse Special K wouldn’t stoop to—the Ohio Express’ first single “Beg Borrow & Steal” wasn’t a cover of fellow Special K act the Rare Breed’s song of the same name—it was the exact same recording, with the Ohio Express’ moniker slapped on it.
These shenanigans carried risks—the touring members of the Ohio Express once found themselves before a paying audience shouting out for “Chewy Chew”—a song no one at Special K had bothered to tell the band existed. This left the boys with no recourse but to flee stage left, lest they die in a storm of Chiclets. Compared to the Ohio Express, The Archies were the real thing.
The Ohio Express has long been derided for making candy-coated music for the monkey bars set. Going the kiddie pop route was a canny move on Buddah Records’ part—they were amongst the first music labels to tap into the playground demographic. The downside was that no one over the age of ten took the Ohio Express seriously. Which is too bad, because had they overlooked the children’s sing-song rhymes, they’d have discovered the makings of a very good garage rock band.
Vinyl record sales in 2021 at highest level for 30 years: 23 percent of all albums bought this year were on vinyl, with ABBA’s ‘Voyage’ the biggest seller. Vinyl record sales in 2021 were the highest they’ve been in 30 years, despite widely publicised issues with backlogs and delays. According to new figures from the British Phonographic Industry (BPI), more than five million vinyl records were sold this year, an 8 per cent increase on 2020. It marks the 14th year in a row that the format has increased sales, with vinyl records making up 23 per cent of all albums sold this year. The biggest-selling vinyl album of 2021 so far is ABBA‘s comeback record ‘Voyage’, while Adele‘s huge ’30’ and Sam Fender‘s ‘Seventeen Going Under’ – NME’s Album Of The Year – also sold big on wax. Reflecting on the stats, Geoff Taylor, chief executive of the BPI, Brit Awards & Mercury Prize, said: “It’s a great time to be a music fan, with wider choice on offer than ever before supported by great value…”
Christmas week vinyl sales top 2 million: The 2.11 million vinyl records sold from December 17-23 mark the highest single-week total in the modern era. Americans bought 2.11 million vinyl records last week, Billboard reports. The figure marks the first time the single-week total has topped 2 million since MRC Data (formerly SoundScan) started tracking music sales in 1991. Sales clearly benefited from last-minute Christmas shopping — the number was up 45 percent from the previous week, when 1.46 million units were sold — but the new high also demonstrates a trend of significant growth on a broader scale: 2020’s Christmas week total was 1.84 million. According to Billboard, U.S. vinyl sales have topped 1 million six weeks in a row; there have only been 14 instances of million-unit weeks in the MRC Data years, eight of them occurring in 2021. And, for the past 23 weeks, more vinyl records have been sold than CDs; this only happened in five weeks last year, and never before 2020.
Colorado Springs, CO | Independent Records moving to new digs in Colorado Springs: Independent Records & Video is lifting the needle on its long-playing Platte Avenue home and moving to Academy Boulevard. The Colorado Springs business, one of the city’s last independently owned and operated music retailers, will relocate starting Monday to 195 N. Academy Blvd., southeast of Academy and Bijou Street, from its main building and next-door annex at 3030 and 3020 E. Platte. Independent Records had opened 43 years ago on Platte. …The move involves transporting merchandise and other items from the main building on Platte to the Academy site about a mile away. The annex was closed several months ago. Launched by Lambert and his brother, Lewis, in 1978, Independent Records sells music on CDs, vinyl albums and cassettes; it also sells DVDs, video games, books, and apparel.
Newtown, PA | Owner Of Newtown Book & Record Exchange Reflects After 1 Year: “I knew I needed the shop to always be here,” said Chelsea Mitchell, who bought the State Street store last December. “It’s my second home.” Last December, an employee who had worked at Newtown Book & Record Exchange for most of the prior 15 years took over ownership of the beloved local shop. Since then the store has celebrated its 40th birthday, and Chelsea Mitchell has been hard at work to ensure the record shop will stay in business. “I feel so supported by longtime customers and by the community for continuing Bobbie Lewis’s legacy,” she wrote in an email to Patch. “It hasn’t been without challenges, of course — but the work is too fun and rewarding to complain.” Lewis opened the shop in 1981, and the small store has since weathered the struggles of retailers like Amazon taking over much of the industry. Mitchell thinks local shops like the book and record exchange help people unplug. “Not to get too philosophical but it’s important that we stop relying so heavily on screens and get back to basics now and then,” she said.