VIA PRESS RELEASE | Destroyer is pleased to announce LABYRINTHITIS, out March 25, 2022, on Merge Records. Pre-order today on CD, LP, and jade and ivory Peak Vinyl in the Merge store and participating independent record shops. Alongside this announcement, Destroyer shares the first song and video from the album, “Tintoretto, It’s for You.”
LABYRINTHITIS is a journey deep into uncharted Dan Bejar country. It brims with mystic and intoxicating terrain, the threads of Bejar’s notes woven through by a trove of allusions at once eerily familiar and intimately perplexing. “Do you remember the mythic beast?” Bejar asks at the outset of “Tintoretto, It’s for You,” casting torchlight over the labyrinth’s corridors. “Tintoretto, it’s for you/ The ceiling’s on fire and the contract is binding.”
More than an arcane puzzle for the listener, LABYRINTHITIS warps and winds through unfamiliar territory for Bejar as well. Written largely in 2020 and recorded the following spring, the album most often finds Bejar and frequent collaborator John Collins seeking the mythic artifacts buried somewhere under the dance floor, from the glitzy spiral of “It Takes a Thief” to the Books-ian collage bliss of the title track. Initial song ideas ventured forth from disco, Art of Noise, and New Order, Bejar and Collins championing the over-the-top madcappery.
Bejar and Collins conducted their questing in the height of isolation, Collins on the remote Galiano Island and Bejar in nearby Vancouver, sending ideas back and forth when restrictions didn’t allow them to meet. Ahead of mixing, the Destroyer band was brought into the fold to further the unprepared synchronicity and mutual discovery.
On January 14 a crucial chapter in the history of hot gospel gets fresh illumination thanks to Bible & Tire Recording Co.’s two-volume retrospective Sacred Soul: The D-Vine Spirituals Records Story. Across four sides of vinyl (available separately or as a bundle), two compact discs (ditto), and digital (available through Bandcamp), these 28 recordings by nearly as many different groups and performers document a sustained run of inspired artistry and savvy production that was originally released on 45rpm singles. Eminently listenable, the contents also celebrate the no-nonsense go-for-it gusto of grassroots independent record making.
By now, it’s no secret that African-American gospel is one of the indispensable fibers in the grand weave of 20th century music, and not just for its foundational role in the development of Soul. No, the undiluted stuff, almost always waxed by smaller, if not necessarily independent record labels, is worthwhile, indeed highly prized, entirely on its own for its combination of skill and intensity sharply honed through commitment and belief.
Formed in downtown Memphis, TN in the early 1970s by US Air Force veteran, preacher, radio personality, and soon to be record producer Juan D. Shipp, D-Vine Spirituals is as vital to hot gospel’s growth narrative as Nashboro and Pitch/Gusman, both labels from the southern region of the USA that flourished in the same approximate timeframe.
The proof is in the listening, as Bruce Watson’s Bible & Tire Recording Co. has already released two volumes focused on D-Vine Spirituals subsidiary JCR (stands for Juan, Charles, and Robert, not Jesus Christ Records) and an LP dedicated solely to Elizabeth King and the Gospel Souls, who cut the label’s paradigm-shifting first single “I Heard a Voice” in 1972.
Rome, IT | Pope slips out of Vatican to visit record shop, gets CD: Pope Francis grew up listening to the opera on the radio, is a fan of Argentine tango and thinks Mozart “lifts you to God.” But it still came as a something of a shock to see the 85-year-old pontiff coming out of a downtown Rome record shop late Tuesday with a CD in hand. He had made an unannounced visit that was caught on camera by a Vatican reporter who happened to be nearby. Javier Martinez-Brocal, director of the Rome Reports news agency, said he was in the neighborhood of Rome’s Pantheon when he noticed a white Fiat 500 with Vatican license plates and some police cars parked in front of the Stereosound shop. Francis had slipped inside and stayed for about 12 minutes, chatting with the owners, Martinez-Brocal reported. They then recounted what had transpired: It turns out the former Cardinal Jorge Mario Bergoglio was a customer during his visits to Rome, and had promised them he’d come visit when he met with them at the Vatican.
Wales, UK | The independent record shops in Wales enjoying the biggest vinyl sales in 30 years: Vinyl sales have seen a surge in sales with record shops all across the country booming with success. Vinyl record sales in 2021 leading into the new year have been the highest they’ve been in the past 30 years, with record shops across Wales all enjoying the demand. Despite issues with backlogs and delays, independent vinyl stores across the country have established themselves as ‘musical hubs’, with a resurgence of music enthusiasts opting into a hard copy version of their favourite tracks. According to new figures from the British Phonographic Industry (BPI), over five million LP vinyl records have been purchased in the past 12 months accounting for nearly a quarter of album purchases, its highest level since 1990. But like many other industries it has seen its fair share of challenges in a year plagued by shortages, as one independent record shop explained: “It’s gotten to the point where we’re a victim of our own success, there’s a lot of shortfalls just because pressing companies can’t match the overwhelming demand in the industry.”
Pittsburgh, PA | The Largest Record Store In Pittsburgh Has More Than Half A Million Albums: That old saying “everything old is new again” offers a pretty good reason to hang on to those items – from clothes to decor – that have gone out of style. After all, give it time, and everything pretty much comes back in style again. Like vinyl records. Once playing second fiddle to cassettes, CDS, and streaming, old-school records are making a comeback, and you’ll find no better or bigger selection than at the largest record store in Pittsburgh. Jerry’s Records on Murray Avenue in Squirrel Hill earns props as more than the largest record store in Pittsburgh. It, in fact, is known as the “world’s largest all-vinyl record store,” with an impressive selection of more than a half of a million records. You’ll want to carve out enough time to meander up and down the aisles that are jam-packed with vinyl records.
Ghost, Volbeat commemorate co-headlining tour with limited edition vinyl single: Seven inch will only be available at tour stops. Ghost and Volbeat are commemorating their monumental joint headlining tour to release a limited edition double A-side 7-inch vinyl featuring each of the band’s contributions to The Metallica Blacklist via Blackened Recordings. Ghost’s cover of “Enter Sandman” on Side G and Volbeat’s “Don’t Tread On Me” on Side V will be pressed on crystal clear vinyl and limited to only 3,000 units with 115 copies available at each tour stop on a first come, first served basis. There will be a limit of one per customer. All proceeds from the split 7-inch will be split evenly between The All Within My Hands Foundation and the charities of the artists’ choice: Camp Aranu’tiq (Ghost) and Børne Cancer Fonden (Volbeat).
VIA PRESS RELEASE | The third single from Cate Le Bon’s new album Pompeii.
Today, Cate Le Bon shares “Remembering Me,” the third and final single from her forthcoming album Pompeii, out February 4th. The song exists in Le Bon’s signature aesthetic paradox: songs built for now that miraculously germinate from her interests in antiquity, philosophy, architecture, and divinity’s modalities. “In the classical rewrite / I wore the heat like / A hundred birthday cakes / Under one sun,” Le Bon sings.
The accompanying video was directed by Juliana Giraffe and Nicola Giraffe of Giraffe Studios and features costumes by Monica Adriana Rowlands.
“‘Remembering Me’ is a neurotic diary entry that questions notions of legacy and warped sentimentalism in the desperate need to self-mythologise” —Cate Le Bon
VIA PRESS RELEASE | Johnny Marr has released “Night and Day,” the brand-new single taken from the “Fever Dreams Pt 3” EP – the third quarter of forthcoming double album Fever Dreams Pts 1-4, due February 25th via BMG.
Featuring backing vocals and bass from Primal Scream’s Simone Marie, “Night and Day” encapsulates the confusion, the torpor and the entropy of the way we’ve all been living. Speaking about the new single, Johnny said, “I need songs after all the news, news, news. It gets too real in the hotspots.”
Most importantly, “Night and Day” and the themes of Fever Dreams Pts 1-4 also look to the future, and the idea that even in the most trying times, hope endures. “I’m trying to be positive, for me and my audience, really,” Johnny adds. “My personality is such that it occurs to me to think that way. I’m not just writing with positivity for the sake of a song. It’s real, and it’s also very necessary.”
“The Fever Dreams Pt 3” EP features four brand new songs from Johnny Marr’s anticipated first double LP – “The Speed Of Love,” “Night and Day,” “Counter-Clock World,” and “Rubicon.” The EP will be released on limited edition gold vinyl on May 20th, pre-order HERE.
Fever Dreams Pts 1-4 will be available on CD and double vinyl with the official store offering exclusive limited edition white vinyl and cassettes, alongside merch bundles with signed prints. HMV and independent record stores will also be stocking a limited-edition turquoise vinyl pressing. Pre-order/presale HERE.
Mobile Fidelity Sound Lab has reissued Pearl, from Janis Joplin, originally released in 1971 as an Ultradisc One-Step Pressing. One-Step packages include an album spread over two vinyl discs, playable at 45 RPM for extra fidelity. The albums are pressed on Super Vinyl, developed by NEOTEC and the uber pressing plant manufacturer RTI, offering vinyl with the quietest surface.
The key to the One-Step format is that aside from using the normal MFSL process of working from the original analog master tape recording, the album goes directly from lacquer to what’s called “convert” negative, adjusting the normal mastering process where the lacquer would go through two more steps before being pressed onto vinyl.
Pearl was Joplin’s third studio album. Her first was as part of the self-titled album from Big Brother and the Holding Company in 1967, and the second was I Got Dem Ol’ Kozmic Blues Again Mama!, released in 1969, after she left Big Brother. The live Cheap Thrills with Big Brother was released in 1968.
For Pearl, Joplin was backed by Full Tilt Boogie, who was her backing band on the famed Festival Express tour through Canada in 1970. The album was produced by Paul A. Rothchild. All of her albums were produced by a different person. Rothchild worked with many of the most acclaimed American acts of the late-’60s and early-’70s, but he is most known as house producer for Elektra Records and for the albums he did with the Paul Butterfield Blues Band, Love, and especially The Doors.
Like Cheap Thrills, Pearl went to number one, but was released posthumously on January 11, 1971, a little over three months after Joplin’s death. The album’s centerpiece, “Me and Bobby McGee,” co-written by Kris Kristofferson, went to number one and was Joplin’s most popular song.
This week’s Artist of The Week comes all the way from Canada! Emerging artist Tyra Whitson pulls at the heartstrings with the release of her emotively alluring single “Father’s Eyes,” out now.
We’re slowing things down for you today with Tyra Whitson and her stunningly poignant new single “Father’s Eyes.” Tyra’s distinctive, compelling vocal is at the forefront throughout, channelling the likes of Lana Del Rey and Ashe. Talking about the single, Tyra explains, “The song was inspired by a deep appreciation and awareness of the various components that contribute to healing, learning, and coming into oneself.”
We know January can be a rubbish month for a lot of people, especially in terms of mental health, and sometimes you’ve just gotta let it all out. Let it out with Tyra, you won’t regret it.
Fazer is a Munich-based quintet that specializes in a combination of jazz and post-rock with African polyrhythms. Yes, that means two drummers. The men behind the kits are Simon Popp and Sebastian Wolfgruber, with trumpeter Matthias Lindermayr, guitarist Paul Brändle, and bassist-producer Martin Brugger completing the group. Plex is their latest, an 11-track affair that nicely balances groove complexity with buoyant melodicism. It’s out January 14 on clear or black vinyl, compact disc, and digital through City Slang.
The scoop is that the five members of Fazer all met while attending the Academy for Music and Performing Arts in Munich, a circumstance not the slightest bit surprising, as their collective skill is not only easy to discern but impossible to deny, even as they firmly favor the mingling of rhythmic flow and gestures of beauty over the mere flaunting of chops. Or at least that’s the case on Plex, their third full-length and the first this writer has heard (the prior two are Mara from 2018 and Nadi from the following year).
The impact of jazz on Fazer’s sound is also indisputable, but the same is true for the elements of post-rock in the equation. To elaborate, in the promo text for their latest, the group cites Talk Talk, Can, Fela Kuti, and Rhythm & Sound as influences, though it’s to their credit that none of the acts mentioned are blatantly obvious in the overall scheme as Plex unwinds.
Instead, they forge their own personality as a unit, an approach that leans more toward finesse than grit as the record plays, but with enough twists in the progression to keep matters consistently interesting. Opener “Ghazal” immediately establishes an African-tinged rhythmic bedrock, followed in short order by guitar, first a tight plucked pattern complementing the cyclical drum and bass and then a little post-rock atmospherics.
Why More Gen Zs Fall In Love With Vinyl Records? Streaming music, premium subscriptions, and wireless speakers — these may seem like the norms in a Gen Z’s bubble. But for a growing segment of audiophiles in this demographic, the above-mentioned are nothing but a facade. Nowadays, turntable sales are mostly from millennials and some folks in their late thirties and early forties. A little behind them are Gen Zs, which may come off as a shock. However, the reality that turntables had outlived many of their supposed successors led to discoveries, a path every young adopter would come across. But why does this presumed zombie tech continue to rise in the hearts of our youth? The answer lies in the factors indicated below.
Detroit, MI | Michigan is home to one of the best record stores in America: In this week’s local column, we’re talking about something every music lover enjoys: a trip to the local record shop. In Michigan, we have a wide range of great stores. One of those has actually been voted one of the best record stores in America. There’s something special and unique about spending time at a local record shop. It’s almost like a “Cheers”-type environment, where “Everyone knows your name.” Shoppers and staffers bond of their passion for all things music. It’s a retro experience that shopping online just can’t fulfill. First of all, it’s worth noting that Michigan has a plethora of solid record shops. If you’re in mid-Michigan, Flat, Black and Circular is a longstanding favorite. The shop has been on the campus of Michigan State University for decades and stands out, both because of its cozy feel and friendly, knowledgeable staff. Another mid-Michigan spot is The Record Lounge, which often hosts live music, to boot. Now, Spin Magazine recently released its list of the 10 Greatest Record Stores in America. On that list is Dearborn Music in Detroit.
Chattanooga, TN | Sales of new and ‘new old’ vinyl records can be found at Chattanooga’s Yellow Racket Records: Sales of vinyl records continued to set a record in 2021, according to a report on axios.com, and when Ben Vanderhart decided to take part in the action more than a year ago, he wanted to focus on a market that was not served locally. – freshly pressed vinyl records. It has proven to be a smart move, despite the pandemic forcing him to stop some of the in-store promotional ideas he has. “You can buy previously beloved records at McKay or in an antique mall, but even there it can be hard to find the really good ones because people tend to keep the ones they like,” he said. “The good ones like ‘What’s going on’, who will give it up?” Vanderhart’s Yellow Racket Records on West Main Street in Chattanooga sell the Marvin Gaye album as well as works by The Beatles and other classical rock artists, but they are freshly squeezed and sealed. The store also sells newly recorded albums by artists such as Taylor Swift, Radiohead and local groups Call Me Spinster and Strung Like a Horse.
Birmingham, AL | Vinyl record sales up 50.4% in 2021. Here’s what Birmingham shops have to say: Don’t throw away that old CD player or turntable! According to a yearly report from music data compiler MRC Data, 2021 was a fantastic year for CD sales. For the first time since 2004, CD sales actually increased. Last year wasn’t just a good year for compact discs—apparently, vinyl album sales increased a massive 50.4% over 2020. Why are people starting to buy more CDs and vinyl albums? We spoke with representatives from two record stores in Birmingham to learn more. In an era where nearly the entire wealth of recorded music is available at the tip of your fingers, it seems odd that antiquated forms of recording—such as vinyl albums, compact discs, cassette tapes and more—are picking up popularity. Although physical forms of music saw a steady decline in popularity in the early 2000s due to digital download and streaming services, there has been a renewed interest in vinyl albums over the past decade.
VIA PRESS RELEASE | Between the several battlegrounds of WWI, there was no scene as hostile as the feared alpine front that involved a series of battles at the border between Austria-Hungary and Italy. High above in the alps, men would fight in the most extreme conditions to protect the borders. Today, these fights are infamously known as the so-called “White War,” where many soldiers froze to death or were buried by dangerous avalanches. Their dead bodies remain under the snow to this day.
Today, Swedish metal war chroniclers Sabaton open the history books again to present their new single “Soldier Of Heaven,” giving that overlooked chapter of WWI a voice, a tune, and an impressive music video featuring both breathtaking special effects and the fatal beauty of this battlefield.
Bassist Pär Sundström states about the song: “We already released the ‘Christmas Truce’ and here comes another song which shows the diversity of the new album. In the early listening sessions of the new album this one was noted among most people as a top song and we know that this will be a powerful sing-a-long anthem on future concerts.”
Following the unique signature style of Sabaton, “Soldier Of Heaven” once again is a catchy headbang anthem that persistently sticks into your head. The song is now available to stream on all digital music platforms.
“Soldier Of Heaven” foreshadows the tenth masterpiece of Sabaton, The War To End All Wars, that will be released on March 4th, 2022 via Nuclear Blast Records. Once again, Sabaton will dive deep into the atrocities, miracles, and happenings around WWI and take the listener to an emotional and exciting ride of 11 tracks.
VIA PRESS RELEASE | On March 11, rock icons KISS will release the next installment of their Off The Soundboard official live bootleg series with KISS – Off The Soundboard: Live In Virginia Beach, recorded live at the Virginia Beach Amphitheatre on July 25th, 2004. This is the second in a series of live releases by the band and will be available to stream and download, with a 3-LP standard black vinyl set, a 2-CD set, and a limited edition 3-LP set pressed on 180g opaque green vinyl, all available exclusively through the Official KISS online store, here.
Off The Soundboard: Live In Virginia Beach finds the legendary band in the midst of their Rock The Nation Tour, which is notable for being the first full U.S. tour of the longstanding Paul Stanley, Gene Simmons, Tommy Thayer, and Eric Singer lineup. The career-spanning 20-song set includes classic KISS tracks such as “Lick It Up,” “I Love It Loud,” and the worldwide smash and No. 11 1979 U.S. Billboard charting “I Was Made For Lovin’ You,” as well as perennial KISS fan favorites “Makin’ Love,” “King Of The Night Time World,” and “100,000 Years” that dig deep into the band’s astonishing 40+ year back catalog.
KISS are globally recognized as one of the greatest live bands of all time and are the creators of what is universally considered the best live album ever, 1975’s gold-certified and No. 9 Billboard charting Alive!. The KISS – Off The Soundboard series continues their storied legacy of groundbreaking live albums with a document of the spectacular, larger-than-life extravaganza that is a KISS concert.
Known for their trademark performances, KISS has proven for decades why they are hands down the most iconic live show in rock n roll. The Rock & Roll Hall of Famers have sold more than 100 million albums worldwide and are America’s #1 Gold Record Award winning group of all time in every category. Peerless as a live act, the band’s illustrious legacy has been marked by record-breaking global tours during a remarkable 48-year career.
Grunge spawned a monster, and its name was Silverchair. The trio hailed not from the Pacific Northwest but from Australia, where the dingos eat babies the way a fat man scarfs down canapés at a formal affair. Silverchair didn’t even wear thrift-store flannel shirts, although I did see a guy in the press wearing one. It looks like it cost two hundred bucks. And then there’s that name. Grunge bands should have grungy names. Silverchair is not a grungy name. Silverchair sounds like something a monarch sits his regal ass on.
Now I would never put down Australia. It gave us the kangaroo, the didgeridoo, and Men at Work. But you’re as likely to find grunge in Australia as you are to find cucumber sandwiches on the menu at an Outback Steakhouse. But Silverchair—which has been on an indefinite hiatus since 2011—didn’t let that stop them. In 1995 they released their debut LP Frogstomp. Freak Show followed in 1997. Australia began life as a penal colony, and Silverchair made me wish it still was.
I like to think of Silverchair as a TV game show. I’ve yet to come up with a name for said show, but its rules are simple. Contestants need only listen to a Silverchair song and say something like “Song X is a Nirvana rip.” Or, “Song Y sounds like a Screaming Trees song they didn’t release because it sucked.” I’m leaning towards David Lee Roth as host. I love David Lee Roth to death.
But let’s play, shall we? “Roses” is Nirvana done wrong, and it isn’t vocalist Daniel Johns smelling in the song, it’s the song. “Freak” and “The Coming” also reek of Nirvana, although the lyrics of the former song (sample: “No more maybes/Baby’s got rabies/Sitting on a ball /In the middle of the Andes’) are the highlight of the album. “Cemetery” is Smashing Pumpkins with brain damage. “The Closing” is Nirvana filtered through the Foo Fighters then ground into a flavorless paste perfect for force-feeding hunger strikers.
Newsweek: Vinyl Accounts for Over Half of Physical Albums Sold in 2021, Surpasses CDs for First Time: Vinyl records outsold CDs in the U.S. last year for the first time since MRC Data, a music data collection company, started tracking music sales data in 1991. In 2021, 41.7 million vinyl record albums sold, compared with 40.6 million CDs, a massive jump from 2011, when vinyl accounted for less than 2 percent of physical sales of music. MRC Data also reported that the week ending December 23 was the first in its tracking history in which over 2 million vinyl records were sold. During that Christmas-buying week, consumers bought 2.11 million units. Overall music consumption, as tracked by the company, grew 11.3 percent in 2021, with new music released by popular artists like Adele, Morgan Wallen and Olivia Rodrigo. There also was a 12.6 percent increase in on-demand streaming of music, topping out at over 988 billion individual streams. However, the report also showed a dip in the consumption of new music, defined in the report as music released within the past 18 months, for the first time since the company began tracking music streaming in 2008.
El Paso, TX | All That Music expanding, to offer larger selection: All That Music & Video – El Paso’s longest running and largest locally-owned music and media retailer – is expanding. The store at the Fountains at Farah will temporarily close starting Monday, Jan. 10 as it prepares to expand into the storefront next door – more than doubling its size. Construction should take about three months, with the store expected to reopen on Record Store Day on April 16. During construction, the store will temporarily move into a larger space a few doors down from its current shop. That site will open on Thursday, Jan. 13. “Gone will be the ‘cozy-tight’ description of the present store, creating more elbow room and a more comfortable experience for customers.
Miami, FL | Miami store T Bag Records opens in new location: Miami store T Bag Records has opened at a new location. Founders Taimur and Gina Agha, the husband-and-wife team who also run the label and party series Blkmarket Music, soft-launched the shop during Art Basel in December. Located at 5789 Northwest 7th Avenue, the new spot is now open from Tuesday through Saturday for in-person digging. The original T Bag opened in April 2021 out of necessity. “I had no work like everyone else,” Taimur told Resident Advisor. “No gigs, no events, no income. I didn’t get any aid from the government either.” Taimur decided to make use of his extensive record collection and years of experience, both behind the decks and as the former dance music buyer at New York’s fabled Halcyon Records. (He also stumbled into Halcyon during a time of crisis: “In 2008 I lost my advertising day job during the recession,” he told RA. “During this time I was asked to come on board.”)
Loveland, CO | Downtown Sound opens under new ownership: Loveland’s one-stop shop for all things vinyl will be opening its doors once again, this time with new owners at the helm. Downtown Sound, located at 330 E. Fourth St., has been open for 10 years and was most recently owned by Rogan Magyar, who took ownership of the store in March of 2019 when he merged his music-lesson and rental business, Keptone Music Workshop, with the record store in downtown Loveland. But troubles caused the store to close temporarily late last year. In November, the store posted on its Facebook page that it was looking for interested buyers to take over the business — a Facebook marketplace posting was even made to try to find a new owner. Enter Greeley residents John and Jennie Jankow. The couple saw the post looking for new owners and decided to throw their hat in the ring of those looking to take over the store. John Jankow said they weren’t sure initially if they would be selected to be the next owners after attending a meeting of other interested buyers.
Well, all the people / Have got their problems / That ain’t nothing new
With the help of the good Lord / We can all pull on through / We can all pull on through
Get there in the end / Sometimes it’ll take you right up / And sometimes down again
It ain’t easy, it ain’t easy / It ain’t easy to get to Heaven / When you’re going down
Jonah Sidel turned 13 on Tuesday. Welcome to the first Friday and Idelic Hour of 2022! An old trusted friend once referred to the new year as a blank canvas. I always dug the reference. What would Jackson Pollock or Jean-Michel think when they set their gaze upon a clean gesso’d slate?
These last winter months have been mostly cold and rainy, but there have been moments of warm sunshine and calm. Despite the “bug” spreading everywhere and our family bickering with cabin fever, today I feel GREAT—truly grateful for a cup half full.
VIA PRESS RELEASE | Celebrating the pioneer of funk James Brown, Urban Legends, a division of UMe, Universal Music Group’s global catalog company, has teamed up with multi-instrumentalist and member of The Roots, Stro Elliot, to create Black & Loud: James Brown Reimagined by Stro Elliot, out February 4, 2022.
The album, consisting of ten remixes of classic James Brown songs, will be available digitally on DSPs, physically as an LP on black vinyl, and will also have a clear vinyl color variant available as an e-commerce exclusive on the Urban Legends website.
Stro Elliot, a producer, and collaborator with multiple GRAMMY-winning artists, spent his childhood playing, studying, and listening to jazz, funk, and soul legends, building a rapport with James Brown tracks at an early age. “The ‘Godfather of Soul’ was The Godfather of so much more,” says Elliot. “There are genres and subgenres that wouldn’t exist today without him. Whatever genre one might place me in included. This is a dissection and celebration of that.”
For Black & Loud: James Brown Reimagined by Stro Elliot, Elliot had the chance to handpick ten classic James Brown hits and remix them, infusing inspiration from several different genres. Tracks like “She Made Me Popcorn” (remix of “Mother Popcorn”) prominently feature hip-hop style sampling of Brown’s vocals, “Machine No Make Sex” (remix of “Get Up (I Feel Like Being a) Sex Machine”) transforms the original with Afrobeat rhythms and horns, “Get Up Off” (remix of “Get Up Offa That Thing”), and “The Goodest Foot” (remix of “Get On the Good Foot”) lean deep into a steady hip-hop groove, while “Coal Sweat” (remix of “Cold Sweat”) swirls the ‘60s hit into a psychedelic electronic daze.