Monthly Archives: August 2020

In rotation: 8/20/20

London, UK | London’s Low Company Record Shop To Close For Good: The East London store says its plan to close in spring 2021 was brought forward by the COVID-19 pandemic. London record shop Low Company is closing for good as a physical and online store this Friday (August 21). The news was confirmed in a typically lengthy newsletter penned by Low Company founder, and previous Blackest Ever Black head honcho, Kiran Sande, who explained that the COVID-19 pandemic has accelerated the shop’s closure, which was originally planned for spring 2021. He adds that he considered moving the Hackney shop to a new location nearby, but decided to close the operation for good as the new location required taking out an eight-year lease. “We’re not disappearing off the face of the earth,” Sande’s letter says. “The eponymous label will continue. So will the manufacturing and distribution of a handful of other labels in our loose family (new releases from Bobby Would, Nkisi, Gewissen, Jane Arden). But the shop – as physical entity and as tragicomic group endeavour—is done.”

London, UK | Next Door Records Opens In West London: As record shops begin to recover after lockdown… It’s been a tough year so far, whether it be the queues outside Tesco, the endless quizzes on Zoom, Joe Wicks being your new alarm or the zig-zag runs. One of the biggest victims of this pandemic has been businesses, particularly local ones. They’ve had to trudge on with a series of major setbacks, whether it’s forcing their shops to close for safety precautions, or not being able to attract enough footfall to keep running. The impact has been so severe that sadly a lot of these local and independent businesses have been forced to close their doors for good, a sight none of us want to see. One of the worst impacted local businesses were records shops, where the magic of going in and having a dig for your favourite record was simply not viable, placing an immense financial strain on shops around the country. Yet, there has been a recent glimmer of hope for record shop owners, as the Government continues to ease its lockdown restrictions, more and more of the city is opening up for us all to enjoy once again. Record shops, a beloved part of London’s music community, are included among the sites allowed to welcome customers under these new guidelines.

Darien, CT | Looking for rare vinyl? Johnny’s Records in Darien to join Record Store Drop Day: Johnny’s Records, a beloved longtime record store in Darien, is participating in Record Store Drop Day, an event when vinyl fans and collectors can get one-of-a-kind titles. This is a redesigned format for Record Store Day, a twice-a-year event that celebrates Independent Record Stores. Originally, it was postponed from April to June due to COVID-19. “Like our customers, we will miss the joy and camaraderie of a bustling Record Store Day. But for the time being, we want to emphasis safety and consideration of our shoppers’ health,” said John Konrad of Johnny’s Records. Founded in 2008, it is usually held the third Saturday in April and the day after Thanksgiving. For these days, several hundred special records are issued and distributed through Indie record stores. The titles are not available on Amazon or in large box stores. …At Johnny’s, instead of forming a line outside the door, shoppers should wait in their cars. On a sheet at the door, each customer should sign up with their name and car model/license plate and return to their vehicle to wait. Customers should not gather outside the door.

Chicago, IL | How Chicago record stores are keeping the music alive and their lights on: Three local record store owners share their approach to reopening and the challenges their businesses face. For a certain type of music fan, nothing beats an afternoon spent digging through albums in a record store—an experience that’s been in short supply since mid-March when non-essential Chicago retailers closed their doors to customers. …Ahead of the first of three Record Store Day Drops that will provide independent shops with exclusive new releases, we spoke with three Chicago record store owners about their differing approaches to resuming business after being partially shut down for several months, from allowing in-person shopping to transitioning to an online-only model. They also touched on some of the challenges that have accompanied the pandemic, like increasingly unreliable shipping, mounting competition from online marketplaces and the real possibility that retailers will have to close their stores (again).

Rehoboth, DE | Dogfish Head honors Record Store Day with Galaxie 500: For this group of self-proclaimed beer geeks with a music problem, the words “Record Store Day is FINALLY here,” could not sound any sweeter! Dogfish Head, the Official Beer of Record Store Day, and legendary indie rock trio, Galaxie 500, are celebrating with a limited-edition beer and vinyl release slated for Saturday, August 29. For the first time on vinyl, Galaxie 500 will release its iconic 1987 live performance, Copenhagen. To complement Galaxie 500’s intense and melodic album, Dogfish Head will release Coping Haven, a Danish-style Rye Pilsner brewed from ingredients inspired by historical Danish brewing tradition, including floor-malted light golden pilsner malt, hearty malted rye and a blend of Moravian hops. The result is a characterful lager with floral and herbal hop aromas, a bready and gently spicy malt flavor, and a clean, dry finish. Priced at just $17 per 4pk/16oz cans, Coping Haven will be available for curbside pick-up – while supplies last – from Dogfish Head’s Rehoboth EmPOURium beginning August 29.

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TVD Radar: ‘A Song
for Joe: Celebrating the Life of Joe Strummer,’
A benefit for Save Our Stages streaming 8/21

VIA PRESS RELEASE | On Joe Strummer’s birthday, Friday 21st August at 8:00 PM UK time, the music and arts community is coming together for a global event to celebrate Joe Strummer’s legacy as a solo musician and singer of The Clash.

Produced by Jesse Malin, Jeff Raspe, and Joe Strummer estate manager, David Zonshine, A Song for Joe: Celebrating the Life of Joe Strummer will be a two-hour event that will stream for free at JoeStrummer.com, with all donations benefiting Save Our Stages. The night will be hosted by Jesse Malin and will feature never before seen live footage of Strummer, alongside special performances and testimonials by many of the former Clash front man’s friends and peers.

“To see so many musicians and artists come forward to honour Joe is really touching,” says Joe’s wife Lucinda Tait. “Community was always important to him. Whether it was playing music with friends, organising all night campfires, or hijacking festivals, Joe was always focused on bringing people together. Even though we can’t all be in the same room together, I cannot think of a better way for us all to feel united. Joe would have loved this.”

“This tribute to Joe is not only a great way to honour him, but to also remind people how important his message is right now,” adds Malin.

Joe Strummer | Punk poet, musician, composer, actor and style icon, Joe Strummer spent his life smashing musical and cultural boundaries both as the singer of The Clash and as a solo artist. Songs like ‘Know Your Rights’, ‘London Calling’, ‘Rock The Casbah’, ‘Straight To Hell’, and ‘Coma Girl’ engulfed the global masses and sound as urgent and vital today as when they were written.

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TVD Radar: Tears For Fears, The Seeds Of Love vinyl reissue and deluxe 4CD/Blu-ray editions in stores 10/9

VIA PRESS RELEASE | Over thirty years on from its original release, Tears For Fears’ third long-player The Seeds Of Love has taken on mythical status for its scope, ambition, timeless musicality, and the fact that it took over four years to record.

For music fans and audiophiles the world over, the album continues to astound with its depth and sheer audacity, which is why three decades on it, has barely aged a day. As Roland Orzabal puts it, “Out of all our albums, I’d probably rank it highest. I think it surprised a lot of people, a lot of our peers as well, people who maybe we were being compared to in the mid-Eighties.” Curt Smith “The tracks I liked then, I still like now. ‘Woman in Chains,’ ‘Badman’s Song,’ ‘Sowing the Seeds of Love,’ and ‘Advice For The Young At Heart’ have all stuck around. We still play those live.”

The super deluxe box set consists of four CDs and one Blu-ray, which fully tells the story of how this extraordinary album came to be. The box set includes 22 unreleased tracks from demo sessions, live jams, studio sessions along with a definitive set of b-sides, and rare mixes. Highlights include demos of “Advice For The Young At Heart” with Roland Orzabal singing lead vocal and “Rhythm of Life,” which didn’t make it onto The Seeds of Love and was later given to Oleta Adams for her Circle of One album. The Blu-ray also features a stunning 5.1 mix by Grammy-nominated artist Steven Wilson.

Coming off the back of the ten million-selling Songs From The Big Chair, the first writing sessions for The Seeds Of Love started when the band was touring in 1985, making use of soundchecks to sketch the outlines of new songs. Over the next four years, Roland and Curt would work with several producers, engineers, and many musicians before finally deciding to produce the album themselves with assistance from their Songs From The Big Chair engineer Dave Bascombe.

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Needle Drop: Eli Moon, “Phases”

South Londoner Eli Moon pushes contemporary R&B into fresh waters with his electro-pop banger, “Phases.”

Moon is a dark and brooding character, yet everything he does shimmers with pop perfectionism. According to the singer-songwriter, “Phases” is about feeling restless about the natural ebb and flow of life. What do you do when you find yourself in the middle of this tug of war? Does one simply “scrap everything and start all over?” or “ride it out into the next phase?”

“I suppose life does happen in phases, which is why it’s important to understand that no situation lasts forever,” Moon reflects. “There is never a situation where you have no power to affect it, but I wanted to capture this emotion in a song, so that I have it forever and can always use it in times where I need to be reminded of this.”

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Graded on a Curve:
Six from ORG Music for Record Store Day 2020

Six of ORG Music’s Record Store Day 2020 releases are available on August 29, so we’re spotlighting the wide-ranging selections in a separate article today in hopes of stirring up the desired retail action at the end of the month. The list features reissues from the Nat Turner Rebellion, Marion Brown, and Mia Doi Todd, compilations of ’50s Sun Records blues and contemporary cover tunes initially cut for the Aquarium Drunkard website’s Lagniappe Sessions, plus the debut full-length from Sock-Tight, which is the duo of bassist Mike Watt and visual artist Raymond Pettibon. Cats, let’s get crackin’…

Philadelphia’s Nat Turner Rebellion released a few singles at the dawn of ’70s, discs the ever-diligent brigade of heavy-duty soul diggers are likely already knowledgeable about with eyes peeled for backup copies. Laugh to Keep From Crying collects those 45s and adds a few unreleased selections to shape the outfit’s unrealized LP. It came out last year as a Vinyl Me Please club edition but gets a wide release with a different cover through ORG in an edition of 1,000.

Blending together the budding Philly soul sound of the era, elements of Motown-ish psychedelia, a decidedly Family Stone-like tendency (a la organ and stinging rock guitar), and as the moniker indicates, a heaping helping of socially inclined themes, the record unwinds enjoyably enough, with the (possibly faux) sitar injections lending distinctiveness and the vocal harmonies strong throughout (Major Harris, later of the Delfonics, was a member).

The songs, most written by Joseph Jefferson, are also unusually sturdy for an unreleased album (though again, much of this came out as singles), if not mind-flaying. I guess my biggest hang-up is that a few of the horn charts reminded me a little of “Vehicle” by Ides of March. Ugh. However, the Sly influence comes through much stronger in “Fruit of the Land,” and there’s even a hint of Isaac Hayes in the horn arrangement for “Going in Circles.” This one’s a grower, and I’d say it’s a must for fans of classic soul.

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In rotation: 8/19/20

New York, NY | Rough Trade NYC outlines how August’s Record Store Day event will work: The first of three 2020 Record Store Day Drops happens Saturday, August 29. (The other two “Drop” events happen September 26 and October 24, each with exclusive titles.) In NYC, not all record stores are up and running again, but one that is and will be participating in RSD20 is Brooklyn’s Rough Trade. Unsurprisingly, they’ve announced this year will work a little differently than usual. Rough Trade will be open on 8/29 from 9 AM to 5 PM and the store will be enforcing health and safety guidelines, including “always maintaining 6 feet of distance with other customers and wearing a face covering in store, at all times.” As all NYC venues are still closed, there are no live performances this year (or sales of food or alcohol) and their restrooms will not be open. As store access will be limited, Rough Trade is asking that all customers looking for the day’s Record Store Day exclusive titles come prepared with a wishlist of what you want. They’ve made a printable wishlist form of all the titles they’ll be carrying on 8/29 that you can fill out and hand off to employees. “Please keep in mind that you may not get everything on your list and that the titles on the list may change.

New York, NY | A drive-by eulogy for New York City’s record stores: Just before lockdown, the indie-rock band Real Estate paid tribute to the now defunct record shops that nurtured its rise by performing a series of guerrilla-style concerts, or “out-stores,” in front of them. …The record store has been eulogized plenty, but, for anyone who came of age before the streaming era, it was a formative and necessary space. Now that music is a digital commodity, it’s easy to dismiss record collecting as a pretentious affectation, but the practice continues to hold a certain kind of outré allure. (“High Fidelity,” Nick Hornby’s 1995 novel about the romantic devastations of an obsessive record-store owner, was made into a film in 2000, and then adapted again this year, as a Hulu TV series, starring Zoë Kravitz.) New York still has excellent record stores—Record Shop, in Red Hook, or Academy Records Annex, in Greenpoint, or 2 Bridges Music Arts, in Chinatown—but they have come to feel like obscure specialty markets. Record Store Day, a holiday devised to celebrate brick-and-mortar shops, was postponed this spring, owing to covid-19, and is now being held on three dates, beginning on August 29th. One hopes that there will still be record stores to celebrate.

Record Store Recs: Chicago House Hero Marshall Jefferson On Representation In Dance Music: …In 1986, Chicago DJ/producer Marshall Jefferson released the ecstatic, piano-led “The House Music Anthem (Move Your Body)” on legendary local imprint Trax Records, unleashing a quintessential building block of house music that took the scene by storm. It is credited as the first track to bring piano (inspired by Elton John, nonetheless) into the emerging house music sound he and fellow OG DJs were creating in the Chicago and New York City underground. Following that pivotal moment, he stayed active and innovative in the Chicago underground until the late ’90s, DJing clubs and releasing countless classics under his various aliases and collabs, including “The Jungle” as the Jungle Wonz in 1986, “Open Our Eyes” in 1988. In the 2000s, he began to focus more time on DJ gigs and relocated to London (and later Manchester, where he still resides) to be closer to the European clubs he was being booked at.

Lund, SE | A miniature record store for mice has popped up in Sweden: Ricotta Records is the latest work by art collective Anonymouse to turn heads in the city of Lund: Destiny’s Cheese. Rats Against the Machine. Lady Gouda. Rodents can stock up on all their favourites at the diminutive Ricotta Records, which is drawing many a quizzical look in the southern Swedish city of Lund. It’s the latest mouse-themed artwork by Swedish collective Anonymouse and follows the opening of the ‘Cicada Pharmacy’ on another street in the city in July. Of their latest work, which has records by the likes of Johnny Cashew and Minor Enemy in the window, the collective said: ‘We would like to thank the municipality of Lund for inviting us and encouraging really small business owners.’ Their first installation, the super-scaled-down façades of a French deli and an Italian restaurant, appeared in Malmö back in 2016, and since then they’ve produced everything from a gas station in the city of Borås to a jazz club in Bayonne, France. Because it’s actually quite hard to spot these things IRL (and they’re all very much temporary), here are some of Anonymouse’s most eye-popping creations from past years.

The Kinks’ Dave Davies taking part in Twitter listening party for his 2020 Record Store Day release: Kinks guitarist Dave Davies will help fans celebrate the August 29 release of a limited-edition 20th anniversary vinyl reissue of his Rock Bottom: Live at the Bottom Line album by taking part in a Twitter listening party that’s scheduled for Monday, August 24, at 12 p.m. ET. The album will be re-released as a two-LP set pressed on silver and red vinyl on August 29 as part of the first date of the three-date 2020 Record Store Day campaign. During the listening event, which is being presented by Newbury Comics, Davies will be on hand to chat about the reissue and to field fans questions. Fans can submit their queries via Twitter by using the hashtag #DaveDaviesxNewbury. Rock Bottom: Live at The Bottom Line, which originally was released in 2000, was recorded at a 1997 solo club show Davies played in New York City. The album features renditions of Kinks classics such as “Tired of Waiting,” “All Day and All of the Night” and “You Really Got Me, a variety of deep cuts from Dave’s famous band, select tunes from his solo career and a few covers, as well as some onstage banter.

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TVD Radar: Herb Alpert Is… doc to premiere 10/1, Career-spanning vinyl box set in stores 10/2

VIA PRESS RELEASE | On October 1st, preeminent global theatrical distributor Abramorama will host the world premiere of the documentary Herb Alpert Is… The global event will take place via Facebook LIVE and will feature a Q&A with Herb Alpert and director John Scheinfeld moderated by the Grammy Museum’s Artistic Director Scott Goldman immediately following.

October 2nd the film will be available via a nationwide virtual cinema release and globally on demand through Amazon, iTunes, and other video-on-demand providers. The film will also be available on Blu-Ray and DVD via Amazon. Today, the artist has announced the release of a companion box set of the same name. Herb Alpert Is… will also be available on October 2nd, digitally, in LP format featuring a coffee table book and a five-piece 180 gram vinyl set, and on CD as a 3-disc set. Both physical formats will feature 63 songs spanning 5 decades, 180 pages of vintage photos, liner notes and an essay from music journalist Bud Scoppa.

One of the most accomplished artists in the music industry, Alpert has sold over 72 million records and co-founded A&M Records, one of the most successful independent music labels in history and home to such artists as Janet Jackson, The Police, Cat Stevens, and Peter Frampton. Herb Alpert Is… celebrates the life and work of Herb Alpert and the impact he has had on American culture. His latest album, “Over the Rainbow” was released in October 2019 and debuted at #1 on the Billboard Jazz and Contemporary Jazz album charts.

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TVD Radar: Bert Jansch, Crimson Moon 20th anniversary reissue in stores 10/9

VIA PRESS RELEASE | 20th Anniversary reissue with its first ever standalone cut to vinyl. Features Johnny Marr, Bernard Butler, and Johnny “Guitar” Hodge along with guest vocals from Loren Auerbach.

One of Bert Jansch’s later recordings, Crimson Moon is some of his finest work and sees the musician at the top of his game. Earth Recordings revisits the album on its 20th Anniversary with its first ever standalone cut to vinyl. Originally released in 2000, there is a brooding resonance in Crimson Moon centred around his accomplished guitar style that brings his contemplative songwriting to the fore.

Traditional ballads have touches of jazz and blues adorned by contributions from guitarists Johnny Marr, Bernard Butler, and Johnny “Guitar” Hodge along with guest vocals from Bert’s wife Loren Auerbach (“My Donald”). The addition of electric guitar subtly compliments Bert’s percussive fingerpicking bringing new depth to his compositions.

Title track “Crimson Moon” is a take on traditional song “Omie Wise” and was written about his wife Loren, “Caledonia” conjures pastoral images of Scotland alongside covers of The Incredible String Band’s “October Song,” Guy Mitchell’s “Singing The Blues,” and Owen Hand’s “My Donald.”

Otherworldly tale “Neptune’s Daughter” sees a mermaid-like creature recount the death of her relatives from a poison in the sea. Passionate about nature, the song carries an underlying ecological message. Released in his sixties, Crimson Moon proves Bert Jansch to still be an innovator and a unique talent.

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Michael Flynn,
The TVD First Date
and Video Premiere, “Easy To Love”

“Full disclosure: whatever that trait is that compels people to say that vinyl records are sonically superior to all other forms of music listening, I don’t have it.”

“I don’t doubt that it’s true, I just don’t have an ear for such things. I can tell the difference between a high-bitrate MP3 and a crap Napster-era MP3, but that’s about it. For me, vinyl is a pure, unapologetic nostalgia accelerator. It breathes that specific brand of warmth into music both old and new, whatever I’m listening to, like an old cardigan I make all my friends put on when they hug me. The crackling dust and imperfections, the little variations in pitch as the speed of the turntable wavers or the warped record undulates, these are the sounds of a time machine being torn open inside me. I’m taken back, both to the time when life was small and safe, and the time that music first deconstructed itself in a way that dared me to spend a life figuring out how to build it back.

I grew up at first just listening to my parents’ record collection: Motown, The Mamas and Papas, Don McLean. My dad had a Garrard turntable and two heavy speakers his buddy brought back from Vietnam. The first record I remember buying with my own money was Thriller. My brothers and I pooled our allowance to bring it home and triumphantly took turns looking at the inside picture of MJ with the baby tiger, turning away only when the record had to be flipped over again.

Thriller is a masterpiece, however complicated it is to enjoy knowing what we know now. But it’s not the record that changed my life. That would be New Edition’s eponymous debut, specifically the last song on Side A, “Delicious.” Specifically the last minute and 54 seconds of it. Specifically the last 33 seconds of that.

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UK Artist of the Week: Bad Love

Self-proclaimed “sad boy pop” group Bad Love have recently shared their latest single ‘A Place For Me’ and it’s the glistening slice of upbeat electro-pop you didn’t know you needed.

Instantly reminiscent of the likes of The 1975 and Troye Sivan, Bad Love’s “A Place For Me” is undeniably infectious from the offset. Frontman Andy Gannon’s distinctively dynamic voice soars effortlessly over hook-laden synths creating a sound that is full of fun and instantly captivating.

You’d be forgiven for assuming these guys are American based on their accents within the vocals, but they’re actually from Manchester and are probably as far from Oasis as you can get… Sorry Noel.

“A Place For Me” is in stores now.

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Graded on a Curve: Charles Bukowski, Bukowski Reads His Poetry

Born 100 years ago, writer, drinker, frequenter of racetracks and countercultural icon Charles Bukowski was celebrated in some circles, and notorious in others, for his often-antagonistic personality as expressed in his stories and columns in the underground press, but he was also a damn fine poet. When he read in public however, matters could often turn wild and belligerent; beer, belching, obscenities and threats were common. Bukowski Reads His Poetry, a 1980 LP initially on John Fahey’s Takoma label capturing a ’72 event, is getting reissued by Real Gone Records on vomit colored vinyl in an edition of 1,000 on August 21. As this is the label’s third pressing, its availability is surely finite.

The literary passions of my early adult years were four, held in such esteem that I had acquired a limited-edition portfolio of drawings by Robert Crumb of the authors sold under the title Meet the Beats and the Buk. It featured typically superb renderings of Jack Kerouac, Allen Ginsberg, and William Burroughs as a themed set, and a fourth, distinctly stylized, of Charles Bukowski, complete with a quotation: “A man who can beat the horses can do anything he makes up his mind to do.”

While I still value the work of all four today, naturally my views on the artists and their work has evolved on the path to the present, as youthful passion is frequently uncritical adulation; the dangers that come with age are to gaze upon past loves with jaded eyes (often alongside the inability to appreciate contemporary creativity). Of course, a few individuals are able to turn dyspeptic negativity into its own artform. Bukowski was amongst the very best.

For the longest time, the easiest (which is to say, affordable) inroads to Bukowski’s writing came through the short story/column collections Notes of a Dirty Old Man, Tales of Ordinary Madness, and The Most Beautiful Woman in Town & Other Stories, all published by fellow poet Lawrence Ferlinghetti’s City Lights Books, with the poetry and a half dozen novels issued by Black Sparrow Press.

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In rotation: 8/18/20

UK | ‘People are hungry for new music after lockdown’ …Before the pandemic struck, music retailer Rough Trade was selling more records than ever, with like-for-like 2019 UK sales up 25% overall. Its model of staging in-store gigs, with admission free to those who bought the band’s album, had proved a successful way of selling physical releases in the age of streaming. But then Rough Trade Retail had to close its four UK shops and director Stephen Godfroy says, “We will need a strong second-half recovery if we expect to end the year with sales matching 2019.” Now the shops are open again, although with fewer people in them. At the same time, the retailer has seen online sales rise so much that it had to set up a dedicated online fulfilment warehouse. “In essence, we’ve been forced to become an online-led business in just a matter of weeks,” says Mr Godfroy.

San Francisco, CA | Comic Shop Silver Sprocket Takes Over San Francisco Record Store: SFGate reported the closure of central San Francisco vinyl record store 1-2-3-4 Go! Records on Valencia Street, as a result of shutdowns, lockdowns and the general economic downturn that followed. …Silver Sprocket is a former record label-turned comic book publisher and comic book shop. Silver Sprocket has already had a presence in the record store, after renovations at their former store had forced them out. Now they have taken over the new location, replacing vinyl with comic books across the store. …SFGate reports that currently, Silver Sprocket is operating on weekends only, social distancing is observed, windows are left open and owner Avi Ehrlich isn’t forcing employees to return yet. “This is great for me, since I get to run my dream indie comic shop with the laziest commute, but it’s quite stressful to not know if or when we will be able to open or what’s safe. That could change at any time as case numbers change or new safety guidelines get announced. It still feels like an experiment.

“We’re uncool”: Almost Famous and High Fidelity celebrate music—but they’re warnings, too. …The Chicagoans at Rob’s store, Championship Vinyl, are “professional appreciator”s from afar who can barely hold it together in conversation with rising singer-songwriter Marie De Salle (Lisa Bonet). It’s a much more grown-up male adolescent fantasy (i.e. Rob winds up having a one-night stand with Marie) where the specters of age, responsibility, and purpose are always hovering around while only occasionally impeding on Rob’s daytime routine of listening to music and rattling off personal top five lists, or his off-hours regimen of listening to music and rattling off personal top five lists. High Fidelity is a film colored by a love of music, but it’s also about love love, the complexities of romantic relationships and the path toward becoming a better, fuller person. We watch Rob drink a lot, smoke too much, and put his records in “autobiographical” order, but we’re never really in his shoes. Though we’re invited into his head to see how he remembers his history of romantic fuck-ups, the choice to air so many of his inner thoughts in direct address is one of distance.

St. Cloud, MN | Vinyl is back: Vinyl swap in Sauk Rapids next Saturday: I remember being a kid, and the only thing available were vinyl records and cassette tapes. It was after the time of 8 tracks (never knew anyone with those) and before CDs. That came around in the mid-80s and I remember asking a friend “what is that?” And he, very matter-of-fact said “that… is a compact disc”. A few years later, vinyl disappeared. I thought it was a move in the right direction because vinyl was such a pain in the a**. And you could take the CDs with you and play them in your car, or on a disc-man or whatever device you had and it would sound as good as the vinyl without all of the pops. A few years later, everyone was downloading their music. I actually had an intern ask how I listen to music if I didn’t have some music app. Uhh… I listen to the radio. Now, in recent years, it seems that vinyl is making a comeback. And it’s easier to find a turntable to buy than it is to find a CD player to buy. A lot of people have some pretty amazing collections of vinyl albums. And this coming weekend, there is a big vinyl record swap at Capital Tavern in Sauk Rapids Saturday, August 22.

The Best Turntable Accessories, From $12 Sound Isolation Pads to Killer $349 Speakers: If vinyl is your preferred physical media format for music, and you’ve already set yourself up with the right turntable (we have suggestions if you need one), you can improve your listening experience with a few accessories. Playing records requires a lot of moving parts, not to mention worrying about physical problems, like vibrations or static causing audible distortion (a.k.a “pops” in sound). Going the analog music route also means setting up a multi-piece audio system that works in sync to deliver the best sound quality. Below you’ll find 10 accessories that will actually make a difference in how your records sound, or help you maintain them for many years. We also have a guide specifically dedicated to record cleaning and maintenance if you want even more recommendations.

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TVD Radar: Black
Equity in Americana: A Conversation streaming via Facebook 8/20

VIA PRESS RELEASE | A livestream discussion between Black musicians and industry veterans aims to accelerate racial equity in Americana music.

As a result of one of the most disturbing eras of blatant American racism in a generation, Black musicians and industry veterans are holding a conversation to accelerate racial equity in Americana, one of our nation’s most essential musical genres. On Thursday, August 20th, at 1 PM PDT/4 PM EST, Black Equity in Americana: A Conversation will occur. The live Zoom panel streaming on Facebook via the Americana Music Association’s Facebook page will feature an honest, restorative dialogue featuring a group of Americana music’s top Black artists and creative professionals.

The panelists scheduled diversely represent Black experiences and future expectations across Black culture in Americana music: Adia Victoria; Gothic blues artist, Jason Galaz; Muddy Roots Music Festival organizer, Kamara Thomas; Acclaimed singer/ songwriter/ storyteller, Lilli Lewis; Artist, Louisiana Red Hot Records General Manager and Head of A&R, and Rev. Sekou; musician, theologian, and activist.

The discussion will be moderated by seasoned freelance music journalist Marcus K. Dowling. In the past year, the Washington, DC native’s words have been published by Bitter Southerner, The Boot, Vibe, Mixmag, Water and Music, the Washington City Paper, and countless others.

The August 20th livestreamed panel is aimed at advocating for a more significant presence for Black artists and industry leaders as stakeholders more broadly represented in Americana’s present and future. For nearly three centuries, Americana music has celebrated the soulful, multi-ethnic, and communal essence of the American experience. However, throughout the country’s—and by extension—the genre’s history, minimal representation of Black artists has been a constant. Given that gospel, blues, and soul are intrinsic to Americana as a musical genre, this has too long been a problematic issue and must be remedied.

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Graded on a Curve:
UFO,
Lights Out

Remembering UFO’s Pete Way.Ed.

How deep an impression did the British hard rock band UFO make on my teenage years? Well, I got this baby on 8-track for Christmas one year and I can’t remember a damn thing about it. I suspect I listened to it once, went “Bleh,” and tossed into the discard pile. Hell, I have no idea what possessed me to ask for it in the first place. Probably a review in Creem magazine. Those fuckers were always leading me down the primrose path.

UFO’s 1977 Lights Out was certainly an odd choice for something to ask for, seeing as how I never much dug hard rock or metal and didn’t even like Led Zeppelin. The snooty teenage me looked down on metal, thought it was dumb, but my good taste has gone to shit over the years and good thing, seeing as how good taste (and this has been scientifically proven!) takes all the fun out of life. Shit, I didn’t even like Foghat, and what kinda way is that for a person to live?

So a coupla days back I decided to give Lights Out another listen and guess what? I love it! It’s the greatest heavy metal album ever! Okay, so it’s not as good as Kix’s debut LP, or Van Halen’s 1984 for that matter, but it packs a big dumb sonic punch that lights up my pleasure receptors every time I put it on.

At times Lights Out rocks harder than those bozos in Foreigner ever would (compare “Too Hot to Handle” to “Hot-Blooded,” I dare ya!), at others it anticipates Def Leppard’s glossy pop-metal sheen. Like Bad Company but with a soggy soft side (see the great “Love to Love” and their cover of Love’s “Alone Again Or”!), or AC/DC only quicker on the trigger, Phil Mogg (vocals), Michael “Displaced German” Schenker (lead guitar) and Company produced some of the most shamefully likable hard rock this side of Elton John, who I could swear plays piano (it’s credited to Mogg) on the very Captain Fantastic “Just Another Suicide.”

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Stephen,
The TVD First Date

“My first experiences in record stores would be Tower Records when I was in elementary school. To be honest, my taste in music at this point was as bland as it gets, I think mostly boy bands like NSYNC. And when I started finally developing a taste in music, I was in middle school, contributing to the death of the music industry by torrenting songs with my friends and burning CDs.”

“It wasn’t until I was in college that I got bit by the vinyl bug. I hadn’t dug much into older music until my dad put his foot down. Unlike my mom, he was never much of a musician, but he was one of the most passionate fans. I remember him telling me, “You can take it or leave it, but this is the stuff I grew up with, man.”

He started sending me CDs. The first four were, Led Zeppelin I, Pink Floyd Wish You Were Here, Bob Dylan Highway 61 Revisited, and The Beatles Abbey Road. I was hooked almost instantly. I went from driving around Miami, listening to the very formulaic music of 2010 Electronic Dance Music, to the soulful, raw and unbound gems of the ’60s and ’70s. I couldn’t believe I had spent my whole life without it. He sent me a CD every month. Jimi Hendrix, Van Morrison, Crosby Stills and Nash (Young came later), Simon and Garfunkel, Donovan, The Doors, Deep Purple, Cream, Fleetwood Mac, Rolling Stone,s and his personal favorite, Traffic.

It’s funny, I still remember the day I told my dad I wanted to drop out of university and move to LA. I was making some money from a song I had released independently. I was terrified of asking him, but it’s funny in hindsight. I wonder how much of my desire to be free and take a chance was inspired by the music he showed me. He gave me his blessing to drop out, and when I got to LA, that’s when the vinyl collection began.

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