Monthly Archives: September 2019

Graded on a Curve: New in Stores for September 2019, Part Two

Part two of the TVD Record Store Club’s look at the new and reissued releases presently in stores for September, 2019. Part one is here.

NEW RELEASE PICK: Sequoyah Murray, Before You Begin (Thrill Jockey) Murray emerged earlier this year with the 4-song “Penalties of Love,” and this long-player fully delivers on the promise of the EP (only one cut, the title track of the prior release, is featured on Before You Begin). Initially, there was talk of Arthur Russell, and with the presence of cello in “Blue Jays” and “Let’s Take the Time,’ that’s still a relevant point of observation, though much more pertinent is Murray’s blend of soul/ R&B/ hip-hop/ trap and experimentation spurred from the Atlanta free-improv scene. Yes, this experimental side can swing us back to the topic of Russell, but the approach is thoroughly contempo (but occasionally utilizing vintage gear). I also dig how Murray plays around with a croon that recalls ’80s UK synth pop a bit. A

REISSUE/ARCHIVAL PICKS: Chief Stephen Osita Osadebe, Osondi Owendi (Hive Mind) By the time he’d released this utter beauty of Nigerian highlife in 1984, Osadebe had already chalked up a multi-decade career, having initially made his mark in ’59 with the hit “Lagos Life Na So So Enjoyment.” In fact, this record was something of a strategic stylistic adjustment for Osadebe, made in reaction to the upsurge of rock and funk on the Nigerian scene. The bandleader slowed it down, stretched it out (the LP features two side-long tracks), smartly borrowed contemporizing aspects from the rock and funk styles that had momentarily displaced him at the forefront of Nigerian music, and then dubbed this revamping oyolima. For anyone who digs the highlife style, Osondi Owendi is an absolute necessity. A

Rain Parade, Emergency Third Rail Power Trip (Real Gone) This 1983 debut, the only LP made by the band’s original lineup, is a cornerstone of Paisley Underground architecture, as crucial to understanding the breadth of that movement as the debuts from the Dream Syndicate, Green On Red, The Bangles, and the Three O’Clock (then called The Salvation Army). Featuring the brothers Stephen (bass) and David Roback (guitar, notably later of Mazzy Star), Matt Piucci (guitar), Eddie Kalwa (drums), and Will Glenn (multiple instruments), the band’s approach blended aspects of the L.A. scene (Byrds, Buffalo Springfield, Love) with pop-angled psych (rooted in Nuggets and early Floyd rather than San Fran) to superb effect. If you’re into neo-psych and aren’t hip to Rain Parade, here’s an easy fix. A

Lee Hazlewood, 400 Miles from L.A. 1955-1956 (Light in the Attic) Discoveries of early, embryonic recordings by departed artists regularly reek of barrel-scrapings gussied up for completists and the manically obsessive, but these early home demo recordings of a youthful Hazlewood made in Phoenix, Arizona as he was attempting to infiltrate the music industry are insightful and a non-stop pleasure across four sides of vinyl (there’s also a deluxe bundle where the wax is gold and is accompanied with a silkscreen print, a travel journal, a shot glass and drink coasters). Lee is considerably less eccentric here, with the voice still deep and low but not as distinctively so as he later became. That’s alright. But much better than alright is the opportunity to hear Trouble is a Lonesome Town in early form. A-

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In rotation: 9/12/19

Glasgow, UK | National album exhibition curated by Lewis Capaldi launches at Glasgow Central: The touring show, celebrating the sounds of Scotland, is part of events leading up to National Album Day in October. A touring art exhibition which celebrates the sounds of Scotland can be viewed at Glasgow Central Station from today. The public show is in the city until next Thursday (September 19), when it will head to Manchester Piccadilly and then on to Birmingham New Street from Monday, September 30 and London King’s Cross St Pancras on Wednesday, October 9. Scotland, the north of England, the Midlands and the south of England will be in the spotlight as part of the extravaganza leading up to National Album Day on Saturday, October 12. Anyone in Glasgow Central today will see the version created for the Scottish audience, which aims to present a “cross-cultural” view of Scotland’s musical landscape, past and present. National Album Day artist champions who represent each area have also been charged with selecting the six albums that inspire them, and the lists will sit alongside picks from local music critics and record stores.

San Francisco, CA | Viking’s Choice: What I Learned From Aquarius Records, A Record Store For Big Ears: …From 1970 until its closure in 2016, San Francisco’s Aquarius Records (often shortened to aQ) not only became an authority on psychedelic, metal and experimental music, but also a home for wayward record collectors with the biggest, weirdest ears in the world. Even across the country, I found community by discussing the latest weirdo jams found on the New Arrivals list with friends. Each record, cassette, magazine or artist-burned CD-R was reviewed with equal parts nerdy insight and outrageously ebullient language. Where else would you read about the “scuzz-drenched doomic plod” of Rusted Shut? Or Twink’s apocalyptic psych-rock masterpiece Think Pink from 1970, a record “packed with droning chant, druidic prophecy, spaced-out psych jams, weird, twisted pop and acid-folk ramble”? …Aquarius Records taught me that you can always dig deeper for weirder, louder music, but unlike the grumpy record store clerks portrayed in movies, you don’t have to be a creep about it. This music is for anybody drawn to the seemingly indigestible, or at least curious about the racket leaking from your headphones.

Atlanta, GA | This Vintage Vinyl Store In Georgia Will Make You Feel Like A Hippie In The 70s: Vinyl records seem to be a thing of the past, but they have been making a come back. There is something very aesthetically pleasing about them and Millenials have been going crazy for them. Surprisingly, there are still a few hidden record shops in Atlanta that are fun to explore and make you feel like you are in another decade. Criminal Records is located in Atlanta and it is massive. It’s a throwback record store that will take you back in time to the 70s and 80s. There are vinyl records, DVDs, comic books and so much more. They even have local bands come play on specific nights. Many famous people, like Raury and the owner of Rapzilla, have stopped by this location, too. When you walk into the store, the smell of old records will hit you in the face. It is like when you open an old book for the first time in a while. The store is filled with rows and rows of vinyl from all decades of music. This location also has a buy/sell/trade system so everything in this store has a story of where it has been…

Prince’s iconic ‘1999’ album reissue to contain 35 previously unreleased tracks: Unreleased concert footage is also included: Prince‘s classic album ‘1999’ is being reissued and will contain 35 previously unreleased tracks. See more details and the full tracklist below. The iconic record – featuring ‘1999’, ‘Little Red Corvette’, and ‘Automatic’ – will arrive on remastered, expanded formats on November 29. It’s being released via Warner Records in partnership with the late artist’s estate. Fans will be able to get their hands on a Super Deluxe Edition (comprised of 10 LPs and a DVD), a Deluxe Edition (2CD or 4LP 180g vinyl/download and streaming), or the standard remastered version (1CD or 2LP 180g Purple Vinyl/download and streaming). The Super Deluxe Edition’s DVD is a full, previously unreleased concert film shot at Prince’s Houston Summit show in 1982. Also included in the top-tier package are 23 previously unissued studio tracks (recorded between November 1981 and January 1983), and a complete live audio performance of the ‘1999’ tour.

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TVD Live Shots: Korn, Alice In Chains, Fever 333, and Underoath at Shoreline Amphitheatre, 9/4

The unlikely mashup of Korn and Alice In Chains wrapped up their North America co-headlining tour at the Shoreline Amphitheatre in Mountain View California.

The Wednesday night show kicked off early with a 6:30 set by Fever 333. Those who were able to maneuver the Bay Area rush hour traffic in time were rewarded with a spectacle that had front man Jason Butler (who you may recognize from Letlive) ignoring the empty seats up front and making his way into the audience to entertain the folks in the box seats thanks to the longest mic cord ever.

Next up were Floridians Underoath who tore through their set as the crowd still filtered in. Not a bad set, but four bands were clearly overkill for a Wednesday night, and the tour probably would have been better served by starting an hour later.

The sun had finally set and the seats were full by the time Alice in Chains finally took the stage and launched right into “Angry Chair.” The weeks on the road clearly have resulted in an incredible tightness (and no sign of road wear) as they blasted through a setlist of primarily early material from Dirt, Facelift, and Jar of Flies which was augmented with a smattering of the new stuff including a pair of tunes from last year’s Rainier Fog. No complaints at all about this set which showcased AIC at its best.

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TVD Radar: Gene Clark, No Other vinyl boxset reissue in stores 11/8

VIA PRESS RELEASE | On the eve of what would have been American singer-songwriter and Byrds founding member Gene Clark’s 75th birthday comes the reissue of one of his finest works, No Other.

Released in 1974 on Asylum Records, a year after the Byrds short-lived reunion, Gene reached for the stars with No Other; a psychedelic rock, folk, country and soul record that famously cost a small fortune to make. Although received warmly by critics, it flopped and was soon deleted, a failure Gene never came to terms with. However, as The New York Times wrote around the record’s 40th anniversary in 2014, “hindsight has burnished No Other, as it has redeemed other albums that went on to be reconstructed as rock repertory, like Big Star’s Third/Sister Lovers and Lou Reed’s Berlin,” with the album now being increasingly recognized as one of the greatest of its time, if not all time.

45 years on and recently remastered at Abbey Road, 4AD are giving No Other the reappraisal it deserves. The original eight track album is being released on both CD and LP, while a limited run double CD edition in a hardbound book cover is also coming which includes a bonus disc of alternate studio versions of each track plus a recording of “Train Leaves Here This Morning” (an Eagles hit in 1972, written by Gene and Eagles founding member Bernie Leadon).

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Graded on a Curve: Creedence Clearwater Revival, Green River

1969–here in America, it was the best of years, it was the worst of years. On one hand, Woodstock marked the high-water mark of hippie utopianism. On the other hand, the Vietnam War, Altamont, and the dark specter of the Manson Family made clear that far from harkening the beginning of the Age of Aquarius, Woodstock was but an idealistic hiccup–three days of peace and music were nice, but they didn’t change the ugly and immutable basics of bestial human nature.

The soul of America was at stake in 1969, and musicians reacted to this struggle in different ways. Some sang topical protest songs. Others–Bob Dylan being the most notable example–simply exempted themselves from struggle altogether.

Two bands exemplify yet another approach. Both the Band and Creedence Clearwater Revival mythologized America, creating timeless songs filled with archetypes and imagery. The bands had much in common; they weren’t hippies, they didn’t perform free-form jams or go in for the dayglo trappings of psychedelia–for both groups, LSD, Sgt. Pepper, and the Summer of Love might as well have never happened.

But the two bands approached America in very different ways. On their eponymous 1969 release, the Band looked fondly backwards towards an idealized past–with the exception of the dire “Look Out Cleveland,” they eschewed the dark currents of 1969 altogether. As for Creedence, they occasionally addressed the issues of the day; “Fortunate Son” addressed the Vietnam war, and “Run Through the Jungle” gun proliferation in the U.S.A. But for the most part they dealt with the dark undercurrents of American history more obliquely. John Fogerty’s is an apocalyptic vision of America; if there’s one word that sums up the mood of his archetypal songs, it’s dread.

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Needle Drop: Just
Like Honey, “How
Does It Feel?”

NYC-based Just Like Honey are known for their iridescent shoegaze vibes, which we were turned onto last year via the release of their full length LP The Weight of the Stars.

In an interesting turn of events, the band is back with an understated acoustic album called The Woodroom Sessions which emphasizes the gorgeous female vocal stylings of Darlene Jonasson and Bianca Yan.

Standout single “How Does It Feel” is a poignant, delicately delivered cut that begs to be added to a rainy day playlist. It’s quite impressive to see the band transfer it’s dialed-in dream pop aesthetic over to a more rustic, Americana template, allowing their ace songwriting and heavenly production value to speak for itself. The resulting recordings conjure up the soulful early ballads by The Cranberries, pushing the interplay of intimate, emotive vocals over hook-driven acoustic nuance.

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Graded on a Curve:
Art Pepper,
Promise Kept: The Complete Artist House Recordings

In 1979, while in the midst of a career-capping comeback, Art Pepper entered the studio to cut a record for Artists House, the label of producer John Snyder. Indicative of how things sometimes work, one album became four, released across the 1980s, with numerous takes left in the can…until now. As part of Omnivore Recordings’ unflagging dedication to returning Pepper’s late work to easy accessibility, Promise Kept: The Complete Artist House Recordings hits stores on September 13, holding five CDs featuring across-the-board exceptional players in tandem with one of Modern Jazz’s finest saxophonists.

Promise Kept might seem like an unwieldy hunk of music to contend with, but if lengthy, it’s easily parsed as the work of two top-flight bands comprising two sessions on opposing coasts (with distinct temperaments to match) as Pepper made good on a commitment to record an LP for Snyder’s small but consistently rewarding label (a handful of classics reside in its discography).

As said, four albums resulted, though only So in Love, the first, was actually issued by Artists House. The subsequent three, Artworks, New York Album, and Stardust came out after Pepper’s death via Galaxy and Victor in 1984-’85. With the exception of take two of “But Beautiful,” the entirely of disc five (titled simply Sessions) is previously unreleased.

Snyder, a jazz aficionado who circa the 1970s was also Creative Director for Horizon, the jazz label of A&M Records, had booked a tour for Pepper in ’77 that included gigs at the Village Vanguard. The success of those gigs instilled a desire in Snyder to record Pepper live at the storied New York club with an all-star group.

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In rotation: 9/11/19

Brooklyn, NY | New York record shop Halcyon opens in new Brooklyn location: It’s attached to the Etiquette Café in Williamsburg. New York’s Halcyon The Shop has a new home. The long-running record store, which celebrates its 20th anniversary this month, opened its new location at 53 Broadway in Williamsburg today. The store is attached to the Etiquette Café. It’ll be open every day from 10 AM to 5 PM, with the usual selection of old and new dance music alongside disco, funk, jazz and more. Halcyon will also sell accessories, merchandise and DJing equipment. The shop’s past location was inside the now-closed Output club complex further north, near the Williamsburg-Greenpoint border.

Bel Air, MD | REB Records opens at Armory Marketplace, Bel Air’s business incubator: Beatrice Orsini and her mother, Amy Bauersfeld, combed through the racks during the grand opening of REB Records in Bel Air, looking for LPs that struck their interest. Beatrice, 15, of Abingdon, smiled as she took in the various album covers, including “An American Treasure,” a compilation album of Tom Petty tracks released after the famed rock singer died in late 2017. “I like Tom Petty a lot,” said Beatrice, a sophomore at Patterson Mill High School. “We have a record player at home, so we always try to find cool records.” The family-owned REB Records sells music on vinyl LPs as well as CDs, cassette tapes and 45s — customers can purchase new or used records. The store had a soft opening July 20 and its grand opening Aug. 31. REB Records is the latest business to open in Armory Marketplace, the Town of Bel Air’s business incubator that has a waiting list to become a tenant and has already seen one former tenant “graduate” to the downtown business district.

Cult Sony Walkman Makes Nostalgic Comeback: To celebrate its 40th anniversary, electronics giant Sony announced the new release of its 80s cult portable cassette player. The news was declared at the annual consumer electronics trade show IFA 2019 in Berlin on Thursday. First released in July 1979, the Sony TPS-L2 Walkman was the first portable personal cassette player, changing the way music was consumed. In 2010, the Japanese retailer had sold 200 million units, with cassettes easily surpassing vinyl record sales. Due to its popularity in the 80s and 90s, the word ‘Walkman’ even made an entry in the Oxford English Dictionary in 1986. Since then, the company has released various iterations of its Walkman including a gold-plated Walkman released in 2016 for a whopping $3,680.

Chattanooga, TN | Back to the groove: Vinyl records overtaking CDs in local popularity: Vinyl records are back in style. Now, their popularity is sparking something that has not happened in more than 30 years. …Dawnia Powers, the media manager at McKay’s, says more people are collecting vinyl records these days. “They want something collectible. Something they can keep that looks nice on their shelves,” she says. But Dawnia says CDs still sustain power. “You can’t put a record in your car. You can’t play a record in your old school walk man that you take around with you.” Although Lora still buys CDs, she says there’s just something about records. That’s why she prefers them. For the time being, CDs are still expected to outsell vinyl record at McKay’s. So far this year, the store has brought in 43,000 records. But the amount of of CDs is more than triple that.

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TVD Live: Jenny Lewis and the Watson Twins at the Anthem, 9/5

PHOTOS: RICHIE DOWNS | For a woman whose songs are so direct, and whose voice is so clear, Jenny Lewis also likes to dress up a bit. So for the stop in her “On the Line” tour at The Anthem in DC, she wore a glamorous form-hugging gold lamé dress as if it were dug out of a trunk from Old Hollywood.

Lewis, 43, began her career decades ago as a child actress (she was in Camp Beverly Hills, you know), so that might actually have been the case. But the creative Lewis likes to put on theatrical airs on stage as easily as she likes to shift musical moods.

And since she entered the music scene as a distinctive indie voice in the short-lived but beloved band Rilo Kiley, she’s tried spare folk, twisted gospel soul, irresistible straight ahead rock and now, occasionally, the kind of catchy club music that tends to come from dozens of newly arrived divas with single names.

But mostly there is that voice—so pure and so very well amplified and carried through the hall. Those who’ve complained about Anthem acoustics must not have heard this show—one of the most beautifully balanced I’ve heard in town. But her pipes were also aided by a loving crowd who remained utterly hushed as she sang, only to burst up singing along and dancing, as they were encouraged toward the end.

With a five piece band behind her all night, there were also a couple of string players on hand to begin the set with the warning siren of “Heads Gonna Roll” and “Wasted Youth”—both from her solid recent album On the Line, which should be all over the radio if radio was a thing any more.

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TVD Radar: Five Stax Records reissues in stores 11/1

VIA PRESS RELEASE | This fall, Craft Recordings will reissue five albums from the Stax Records vault on 180-gram vinyl. In stores November 1st, the titles include The Bar-Kays’ Gotta Groove, Melting Pot from Booker T. & The M.G.’s, Delaney & Bonnie’s Home, David Porter’s Victim of the Joke?…An Opera, and Johnnie Taylor’s Who’s Making Love. All LPs have been cut from their original analog tapes by Jeff Powell at Take Out Vinyl and manufactured at Memphis Record Pressing. These reissues are part of a yearlong celebration of Stax, and of the 50th anniversary of the legendary label’s “Soul Explosion”—an era of rebuilding following its separation from Atlantic Records. During this period, the newly independent label not only signed fresh, emerging talent but also released an impressive collection of 27 albums and 30 singles in just a handful of months.

Released in 1969, The Bar-Kays’ Gotta Groove marked a triumphant return by a band reeling from tragedy. Formed in 1966, The Bar-Kays enjoyed success as session musicians at Stax, and soon became the backing group for Otis Redding. In 1967, they released an instrumental debut, Soul Finger, and scored a hit with the title track. Just months later, however, the group’s momentum was cut short, when four members of the band were killed in a plane crash, along with Redding. Channeling their heartbreak, surviving members Ben Cauley and James Alexander rebuilt The Bar-Kays with new musicians, and by 1969 they were back in the studio working with artists like Isaac Hayes.

Gotta Groove was their first release with the new members and it stands as a testament to their resilience and talent. AllMusic calls Gotta Groove, “A celebration of life and music that ranks among the funkiest, hardest-driving LPs ever released under the Stax aegis.” Highlights of the album, which makes its return to vinyl after 40 years, include the psychedelic grooves of two-part song “Don’t Stop Dancing (To the Music),” the jazz-tinged soul of Marvin Gaye cover, “If This World Were Mine,” and instrumental renditions of The Beatles’ “Yesterday” and “Hey Jude.”

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Pom Pom Squad,
The TVD First Date

“There were two record stores in my hometown that defined my teenage experience.”

“Growing up, my family moved from state to state, but I spent most of my formative teen years in Orlando, FL. After being homeschooled for the second half of 7th grade and the first half of 8th, I made the grave mistake of requesting to go back to “real” school because I wanted to be a “normal” teenager. Ugh. Little did I know that my “normal school” would look far more like a CW teen drama than a John Hughes movie. It was a culture shock, going from public schools in New York and Detroit to a private school in the semi-south.

There were uniforms, jocks, and cheerleaders, parties in suburban mansions, matching jerseys emblazoned with the word SENIORS—I weaved in and out of unfitting friend groups until I eventually befriended the quietest girl in school. Leka, who remains my best friend to this day, was also a Florida transplant, bounced from state to state and school to school. Turns out, she wasn’t all that quiet—she was actually just really, really cool. Together, we isolated ourselves, exchanging mix CDs and blasting them from the stereo of her soccer-mom-blue Volkswagen. She introduced me to a lot of the music that informs my own to this day—That Dog, The Shins, Mitski.

The first time I went to Park Ave CDs was with Leka. Park Ave CDs was insurmountably Orlando Hipster—a highly specific aesthetic native to the area and characterized by a cluster or acceptable, stores, cafes, and venues frequented by college students with thick-rimmed glasses, dyed hair, and American Apparel outfits. I used to go there to thumb through the selection of radio-friendly indie-rock and shoplift vintage pins, packs of hi-chew, and once, a Beach House tee-shirt. I bought my much-beloved copy of Karen O’s Crush Songs there. The vinyl itself cracked a few years later as I was moving back to New York for college, but the sleeve is framed on my wall.

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UK Artist of the Week: Living Hour

PHOTO: ALLY GONZALO | We’ve got something extra special for you today, so get ready to be all kinds of mesmerized. Canadian five-piece Living Hour are about to embark on a European tour and to celebrate, they’ve shared the stunning visuals for their brooding album track “Most,” in stores now on Kanine Records.

The video mirrors the hypnotic stylings of the song perfectly as textured, static-like images fill the screen, cinematic soundscapes also soar. “Most” feels instantly reminiscent of Beach House or Slowdive’s ability to create wonderful sonic vignettes with minimal fuss and yet, at the same time, are also undeniably complex. Front woman Sam Sarty’s ethereal vocal sits subtly in the background as she allows the enchanting musicality to take centre stage and whisk her into the ambient abyss. It really is a breathtaking piece of artistry from all angles.

As mentioned earlier, “Most” is taken from Living Hour’s poignant latest album Softer Faces. The five-piece are also due to start their European tour imminently, so be sure to catch them if you’re in the area. It’s guaranteed to be a truly majestic experience.

A full list of live dates can be found here.

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Graded on a Curve:
Howlin Rain,
Under the Wheels: Live from the Coasts, Vol. 1

Hailing from Oakland, CA, Howlin Rain’s heavy-acid-jam rock suggests the last 45 years never happened. If you’ve ever gotten so drawn in by the outbound firepower of an early ’70s Grateful Dead tape that you forgot about the portabella mushrooms and tofu pups you were grilling during a late-summer weekend cookout, it suffices to say that Howlin Rain should cruise right down your boulevard. Under the Wheels: Live from the Coasts, Vol. 1, the first in a new live series, is a fine point of entry into the band’s thing, but don’t dilly dally around, as there are only 1,000 copies total in assorted color variations and handmade micro editions, all available now through Silver Current Records.

Howlin Rain is Ethan Miller (formerly of Comets on Fire) on guitar and lead singing, Dan Cervantes on guitar, Jeff McElroy on bass, and Justin Smith on drums (Smith, McElroy, and Cervantes all contribute backing vocals). They debuted with an eponymous LP on Birdman Records way back in 2006 and have released a bunch of material since, a significant portion of it capturing them in performance, so this live album series isn’t exactly a novel concept.

You see, Howlin Rain know what they do well. The studio records they’ve released over the last 13 years are all worthwhile, and a couple, like The Alligator Bride from last year, are borderline excellent, but that’s still not the same as getting on stage and letting loose in communion with a crowd that’s thoroughly focused on the occasion. And this surely reinforces the Dead comparison above, a connection Howlin Rain has openly made themselves, but it’s really only part of their overall sound.

The PR for The Alligator Bride did specifically reference Europe ’72, but that was in tandem with a mention of UK hard rockers Free. And that lines right up with a 45 they recorded back in 2012 that dished “When the Morning Comes” (from American Beauty) on the A-side and The James Gang’s “Collage” on the flip. So, we’re talking lysergic but with a powerful thrust; stretching out to over ten minutes, Under the Wheels’ instrumental opener “To the Wind” gets right in the thick of this heady-heavy mix.

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In rotation: 9/10/19

Galway, IE | Superquinn, Xtra-Vision and Roches Stores: The shops we loved so much: Pricewatch: They may be gone, but the once household names are certainly not forgotten. Star Records: Back in the 1980s, this Galway record shop had three branches in the comparatively small city. Now there are none and there hasn’t been one for a long, long time. To be honest, we could have named any one of the hundreds of record shops which have shut over the past couple of decades after being swamped by a crushing wave of music in the forms of ones and zeroes and by the online retailing giants that stole their lunch and beat them up in the process. Alongside the aforementioned, there was the Virgin Megastore on Dublin’s Aston Quay, Dolphin Discs, Road Records on Dublin’s Fade Street, HMVs all over the place as well as countless others, big and small, in virtually every town in Ireland. There are some that are still standing – notably, perhaps, Golden Discs – and the sale of vinyl has seen something of a resurgence in recent years but, even so, the days of hanging out in record shops, sifting through the stock, listening to the staff picks and making life-changing musical discoveries by chance appear to be gone forever. Mindlessly scrolling through Spotify playlists is not quite the same thing.

Manchester, UK | Woman finds £930 inside a Carpenters album in a charity shop – hands over the cash, buys the record for £3.50: Hannah Fenwick was browsing through the second-hand vinyl records outside Mind’s charity shop in Stockton Heath, Cheshire, at the weekend when she made a shocking discovery. Old bank notes started fluttering out of the sleeve onto the pavement outside the store, south of Warrington, as Hannah was baffled and initially thought it was Monopoly money. The cash dropped to the ground as Hannah scooped it up and, without hesitating, took all the bank notes straight into the shop with the album. Assistant manager Kate Holt, who was serving other customers when Hannah walked in, was astonished by the find. She started to count out the money at the till, watched by Hannah and the other customers. …”I try not to buy anything new and like buying second-hand. I was just flicking through the records outside the Mind shop and I was quite shocked and perplexed when the money fell out.”

Headingley, UK | Premier League referee Jon Moss reveals all about his unlikely new venture outside football. The Premier League referee has opened a new record store in Headingley. Premier League referee Jon Moss’ unlikely new venture is set to feature on Football Focus. The BBC show’s roving reporter Mark Clemmit paid a visit to The Vinyl Whistle, in Headingley, earlier this week to find out about the top ref’s new record store. The shop opened earlier summer and has proved to be popular – not least because of the man behind it. The feature with Moss, who has been a Premier League referee since 2011, is set to air on a forthcoming episode of Football Focus. At the start of the season, Moss spoke to the BBC about the venture and his love of music. “I wanted to create a record shop that people would be genuinely excited about coming into. I don’t think there’s a better indie section in Leeds,” Moss said. “It’s got a big collection of vinyl records. I’m a big indie fan so it’s primarily indie, dance, jazz.”

Graham , NC | Hi Fi in Graham combines love for beer, records: Elon alumnus is spinning records and sipping suds. When walking into Hi Fi Records in Graham, North Carolina, there are many sights and sounds. Whether it be the wall of records along the left side of the store, the bar to the right with record players emitting rock ‘n’ roll, or the wall of music posters hanging in the back. One thing that is not noticeable, but present, is the store’s connection to Elon University. Jon Guza ’97, a Rush fan and owner of Hi Fi, spent over 20 years at International Inventory Management in the Town of Elon. It was not until 2017 that he and his girlfriend started planning to open the store — Guza was looking for a change. “I was getting a little frustrated at my job because I had been doing it for so long and I just didn’t really feel like … I was growing as a person,” Guza said. “I wanted to do something I could really sink my teeth into.” After choosing a little storefront on N. Main Street, the store opened in January 2019. Guza said that his store combines two things he loves: music and beer. He also said the combination brings in customers with different interests.

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TVD Live Shots: dodie and Adam Melchor at the 9:30 Club, 9/6

YouTube superstar dodie, with support from newcomer Adam Melchor, thrilled a house filled with emotional young fans at the 9:30 Club in Washington DC on Friday, September 6.

England’s Dorothy “dodie” Clark, 24, began her career performing covers on piano and ukulele before moving on to write original material. Using YouTube as her platform, she’s amassed literally millions of subscribers since creating her first solo YouTube channel in 2011. Previous EPs, “Intertwined” and “You” were released in 2016 and 2017, respectively; dodie’s latest, “Human,” was released in January of this year.

It’s easy to see the appeal for the mostly (very) young, mostly female fans at the 9:30 Club. She has an accessible but somewhat ethereal stage presence, her entrance onto the stage punctuated by white lights that made her appear as if she were an otherworldly figure plopped down from the sky, yet she dressed casually and wore no shoes. Her soft voice, often drowned out by the sound of the crowd singing along with her, carries songs with relatable themes.

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