Monthly Archives: October 2018

TVD Video Premiere: Vive La Rose, “Schiehallion”

“Schiehallion is a mountain that overlooks a family home, and is Gaelic for “Fairy Mountain.” It was the site of an 18th-century experiment to determine the density of the Earth, using a pendulum to measure its gravitational pull. The song looks at the effects of being too close to or too far from family, the push and pull of that dynamic, and the wisdom of pulling on those threads.”David Luximon-Herbert

One of our favourite Edinburgh artists is back with a brand new video and it will give you all the feels. We are extremely pleased to premiere Vive La Rose’s wonderfully nostalgic video for “Schiehallion” right here at TVD. So sit back, relax and enjoy.

The video is delightfully simple, featuring old footage of Vive la Rose, aka David Luximon-Herbert, in which we are able to watch him grow from a wee Scottish lad into the man he is today. Apparently Schiehallion is one of Scotland’s best known mountains and if you give it a quick Google (as we just have), the views really do look exquisite and we can understand precisely why David has chosen to write a song about such beauty.

The song itself is equally stunning, filled with lush cinematic soundscapes and David’s signature rugged vocal style making it undeniably unique. This really is an absolutely delight to listen to—and watch.

“Schiehallion” is taken from Vive la Rose’s forthcoming album For She Who Hangs The Moon, out on 12th October 2018 via Gestation Records. Pre-order here.

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Graded on a Curve: Hamell on Trial,
The Night Guy at The Apocalypse Profiles of
a Rushing Midnight

Welcome to the Apocalypse. No, I’m not talking about the End of Days. I’m talking about that mythical taproom perched somewhere between heaven and hell (I would situate in somewhere in the environs of Detroit) where every day is Judgement Day and harsh punishment is meted out to the evilest motherfuckers amongst us.

The night guy at the Apocalypse is the proudly foul-mouthed anti-folk saboteur Edward Hamell aka Hamell on Trial, who has been proudly offering up his unique blend of acoustic punk, spoken word agitprop since 1989 or thereabouts.

And we’re lucky to have Ed there, because he just so happens to be the best American storyteller this side of John Darnielle. Ed hears all, sees all, and tells all in his brand spanking new Saustex Records release The Night Guy at the Apocalypse Profiles of a Rushing Midnight, and let me just state from the outset that he has some harrowing yarns to spin.

Forget about Charles Bukowski; Hamell’s darkly hilarious tall tales of brutal revenge, crimes both small-time and large, dysfunctional love, and drug- and alcohol-fueled mayhem are a million miles away from America’s original barfly’s quotidian tales of ordinary madness. At the Apocalypse people get taken out in some not so very pretty ways, but don’t get too disturbed–they really, and I mean really, have it coming.

Hamell has been down the road of addiction and he remembers everything; the junkies and hookers and petty criminals, the bar fights and the fucked-up heists, the way shit has of always going south. Hamell emerged from hell a man of conscience; I don’t know anyone who’s angrier about the injustice we see all around us, or who so despises the power mongers, hypocrites, and all-around assholes who wield the levers of power in Donald Trump’s America.

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In rotation: 10/8/18

Carrollton, GA | New Record Shop Brings Vinyl to Life: Eric Shepard’s love for vinyl records goes back to his earliest childhood memories when he would sit in front of the record player and listen for hours to the great musicians like Elvis Presley. He gently slides a decades-old album from its case, gazing at its grooves under the light in his newly opened record store. “There’s a warm, resonating sound that you get from vinyl records,” says Eric. “You can really feel the ambiance. With vinyl, the musical nuances transport you in a way that streaming never does. The anticipation of hearing the needle drop and the first note sound through your speakers always leaves you wanting more. Nothing feels as good as vinyl sounds.” Eric fondly recalls first experiencing vinyl after his brother handed him a KISS album at the tender age of three. “I was hooked…”

Burlington, NC | Burlington’s Main Street Vinyl finds its groove: Edward Bishop flipped through albums in the bargain bins at Main Street Vinyl in downtown Burlington on Tuesday. A regular at the store, Bishop, 63, has collected albums since his youth. “Vinyl has never gone away despite the record companies always seeking to work on another way to package their product,” Bishop said. A brick and mortar store, Main Street Vinyl, 321 S. Main St., Burlington, offers audio enthusiasts the opportunity to own physical analog copies of the music that may be on the playlists of digital devices. Josh Garrett and his girlfriend, Amy McLamb, co-own the store, which opened in November, 2016…“I really like records and sharing with people,” Garrett said. “My dad was big into music and that broad taste of the different genres I listened to is reflected in the store inventory from rock n roll, jazz, soul, imports to the blues.”

Minneapolis, MN | Northeast Minneapolis’ only record store is closing: Michelle Obama never chose to fight that particular urban malady, instead focusing her efforts on the inarguably more troublesome food deserts. Who, then, would combat the area’s vinyl deficiencies? Raoul Benavides would. He opened Flashlight Vinyl at 1519 Central Ave. NE that same year, thus giving Northeast its only dedicated record shop. Until October 31. That’s when Flashlight will go dark forever, according to a Facebook post from Benavides.”Gratitude is all a person can have at this point,” the shop owner wrote Monday. “It was my honor to serve northeast Minneapolis with music. After three years, We are closing our doors. So many great people, new friends, and stories came to visit and share their love of vinyl.” Halloween will be Flashlight’s final day in business, and you bet there’ll be a spooktacular liquidation sale.

Los Angeles, CA | Stones Throw Records opens listening bar in LA: …Open this week, the bar is situated under Stones Throw’s offices, and is a partnership between the label’s founder Peanut Butter Wolf (Chris Manak), label manager Jason McGuire and restaurateur Tyler Bell. The bar’s design nods to vintage recording studios, Japanese hi-fi bars as well as the surrounding neighborhood; the press release says “cross sectional sofas invoke both mid-century minimalism and the custom car culture that rolls past the bar on Figueroa, part of historic Route 66.” The bar’s centerpiece however, is 7,500 records from Peanut Butter Wolf’s own collection, a Thorens turntable, McIntosh Amps and Altec Lansing speakers. The records will be split into rock, soul, reggae, rap, electronic, world and jazz categories. On weekdays, bartenders will select from the collection, while on weekend, Gold Line will host guests mixing exclusively from the in-house vinyl, with a strict policy of no outside records and no computers.

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TVD’s The Idelic Hour with Jon Sidel

Greetings from Laurel Canyon!

Before I jump ship, for cooler shores, may I gently close this account of ours? / Through all that I know and have loved is inside, I’m just losing faith in these costly times. / And I pray for your health and your peace of mind but God must know I just want you by my side. / And the mornings I’ve woken and sought your warmth / If only I’d held you and told you before / But I’m no fool, my heart is just exposed, I’m just weathering the flows / And I’m not the man you thought, I suppose, you leave me tender to the blues…

I stumbled upon this brilliant lyric from British singer/songwriter James Yorkston. I love pockets of music. Folky Brits like Yorkston and Badly Drawn Boy from the early 2000s. Pre-metal hard rockers like Sabbath, Captain Beyond, and Blue Oyster Cult from the early ’70s

As I start to care less and less about 2018’s gaming and reality TV culture, I find myself in search 2018’s musical “pocket.” This year has its harsh vibe, I call it a “poor high.” It’s also had touching, heavy, and beautiful moments.

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TVD Live Shots:
Pale Waves at the
O2 Shepherds Bush Empire, 9/27

The Cure crossed with the Cocteau Twins with a touch of Blondie—that’s how I would describe one of the hottest bands in the UK at the moment, Pale Waves.

You can’t go anywhere in London without seeing posters plastering tube stations and busy street corners announcing the band’s debut record My Mind Makes Noise which was released last month and hit number 8 on the UK albums chart. Led by lead singer and guitarist Heather Baron-Gracie, Pale Waves are taking the UK by storm and priming themselves for the rest of world with their brand of incredibly catchy goth-synth-pop.

It’s fascinating to watch a group build a buzz the right way—by putting in the work. Having recorded and released a slew of widely acclaimed singles and gigging with successful peers The 1975, the buzz was building and undeniable. They would go on to win the coveted NME Under the Radar Award earlier this year and performed at the much-celebrated awards ceremony along with the likes of Alt-J and the mighty Liam Gallagher.

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TVD Radar: Waiting–
The Van Duren Story
soundtrack in stores 2/1/19

VIA PRESS RELEASE | Memphis musician Van Duren had it all going for himself. He was managed and produced by Andrew Loog Oldham (Rolling Stones) in the 1970s, he was a contemporary of Big Star and was in a post-Big Star band (Baker Street Regulars) with Chris Bell and Jody Stephens, and had made a debut album, Are You Serious?, that had some people comparing him to Paul McCartney. But instead of being the next big thing, he faded into obscurity.

Though he didn’t break through with Are You Serious?, and a second album was recorded and shelved (eventually released in 1999), Van continued making music. With his band, Good Question, he had a regional hit with the song “Jane” that had record companies sniffing around, but again, to no avail. Forty years later and a world away, two Australians,Wade Jackson and Greg Carey, came across Duren’s lost album, fell in love with the music and set out to discover what went wrong. They tracked Van Duren down on Facebook and despite having never picked up a movie camera, they journeyed to the U.S. to meet Van Duren and tell his story.

Along the way, they crossed paths with rock stars, Scientologists, and a host of talented musicians who never quite made it. The film took them to North America, Colombia, Japan, and back to Australia, staying true to their pledge to finish the film and shine light on Van Duren. Van’s lost career is a parable of the trials and tribulations of the music industry — an industry that leaves countless broken dreamers behind in its wake. Waiting: The Van Duren Story is a love letter to the artist and his music that should have helped define a generation.

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Spirit Award,
The TVD First Date

“I was never into vinyl much growing up, my family never had a record player.”

“One of my earliest memories of vinyl was going to my grandfather’s house and he had a record with “Big John Davy” by Jimmy Driftwood on it. I remember replaying that song over and over, and loving the sound of the needle scratching as I clumsily turned the needle back.

My first vinyl I got was Abbey Road. I found an original Apple pressing for sale at a coffee shop. I didn’t have a record player at the time, and I hadn’t even heard the record, but I knew it was important. I went to Goodwill and got a cheap player and put it on. It was the first time I realized that The Beatles were in fact musical geniuses (something I shrugged off in my younger years). This was really one of the first records I sat intently and listened to all the way through.”
Daniel

“I’m was fortunate to have grown up in a household with a vintage 1950’s jukebox in our living room that worked and played 45s.”

“One of my first vinyl memories was as a young child (between the ages of 3-4) listening to 45s being played on my family’s jukebox. My favorite songs at that time were Steppenwolf’s “Wild Thing” and The Rolling Stones “Satisfaction.” I was always selecting those two tunes to get played.

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Graded on a Curve:
Player, Player

Do you remember Player? They were, without a doubt, the sleekest vessel in the Yacht Rock marina. Unlike many of the other soft rock artists of the time they actually looked like rock stars, which is more than you can say about Christopher Cross, England Dan and John Ford Coley, and Michael McDonald.

Unfortunately, this California quartet’s rock star sheen only took it so far; Player may not have been one-hit wonders, but most folks would be hard pressed to remember them for anything but 1977’s No. 1 hit “Baby Come Back.” And while the band would record a number of LPs, none of them scored big but their eponymous 1977 debut.

On Player the band put its MOR pop craft to uninspired but more than competent use; if your idea of good music is substandard Steely Dan, you owe it to yourself to run out and buy this record. Player’s 10 cuts are pleasantly unremarkable, vapidly unobjectionable with only one or two exceptions, and hard to hate if you have a single soft rock bone in your body. I have several.

Romance, of course, is the album’s theme; boy loves-hates-wants-loses-misses girl was the wind that set sail to every boat in the Yacht Rock flotilla. Does Player have anything novel or interesting to say on the subject? Of course not. On the ersatz funky and very bass heavy “Love Is Where You Find It” they at least find a unique musical setting for their very unoriginal sentiments, but other than that they might as well be one of those Hallmark cards that plays a song when you open it up.

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In rotation: 10/5/18

HD Vinyl Partners With One of the World’s Largest Record Pressing Plants: Back in 2016, ‘HD Vinyl’ emerged as a back-of-the-envelope idea hatched outside Vienna, Austria. Interesting, but mostly theoretical. Now, the company, part of Rebeat Innovation, has received millions in funding, owns critical patents, and is striking major partnerships. That includes a number of deals with major vinyl record pressing plants, including GZ Media, announced this week. The massive GZ, situated in Loděnice, Czech Republic, has joined forces to retrofit HD’s ceramic, laser-cut stampers to select machines. “Since HD Vinyl stampers will be made out of laser-cut ceramic instead of electroplated metal stampers, new molds and fittings have to be developed,” explained HD Vinyl (and Rebeat Innovation) founder, Guenter Loibl.

Norwich, UK | Opinion: why technology sometimes makes things worse: David Clayton says you haven’t lived until you’ve heard music through a juke box – which means most of the younger generation haven’t lived. …in one technological evolution, I put it to you, we have gone the other way. I was chatting to a pal, who’s something of a vinyl record and music aficionado. In fact, he’s known as “Dr. Vinyl” around these parts. Whenever we meet, he’s eager to play me some long-lost track he’s just discovered. From out of his trouser pocket came his miniscule mp3 player and a speaker the size of a golf ball. One connected to the other, he scrolled down hundreds of titles and then filled the room with a sound which was wildly disproportionate to the size of the thing playing it. I once had a garage full of records and this little gadget offered the same storage capacity!

Atlanta, GA | Kosmo Vinyl Brings Punk Rock to Rose Library: Artist Kosmo Vinyl shared his international perspective on punk and D.I.Y. culture, as well as his experience with The Clash and other bands, at the Stuart A. Rose Manuscript, Archives and Rare Book (Rose) Library, which boasts a growing collection of punk and Do-It-Yourself (D.I.Y.) culture in Atlanta, on Sept. 26. Rose Library Curator of Modern Political and Historical Collections Randy Gue introduced Vinyl as a man who holds many titles including, but not limited to: “A press agent, a conceptual publicist, rogue manager, manager, a force of nature, emcee, ringmaster, conciliary, chaperone, factotum, fromage du pompadour, the creative director of The Clash, a producer and an artist.”

Kate Bush’s entire discography to be reissued: Many of Bush’s albums have been unavailable on vinyl for at least a decade. Kate Bush’s entire back catalog will be reissued on vinyl and CD in November. Many of Bush’s albums have been unavailable on vinyl for at least a decade. Not only that, but the archival campaign marks the “first (and definitive) programme of remastering and includes the release of many rarities and cover versions on vinyl and CD for the first time,” according to a press release. Bush personally remastered each album herself with assistance from James Guthrie (Pink Floyd). The reissues will be packaged in four distinct vinyl boxes and released in two waves. The first two box sets are due out on November 16th, with the latter two sets following November 30th. Specifically, the fourth box is made up of rarities previously unreleased on vinyl, including an entire disc of cover versions.

Rolling Stones’ Classic ‘Beggars Banquet’ Gets 50th Anniversary Edition: The reissue of the 1968 landmark will feature a reproduction of a super-rare flexidisc interview with Mick Jagger. The Rolling Stones’ landmark 1968 album Beggars Banquet will be released in a new 50th Anniversary Edition by ABKCO Records in multiple formats, including vinyl and CD, on 16 November. The limited edition vinyl format will have a gatefold jacket with a bonus 12” of the album’s celebrated opening track ‘Sympathy For the Devil’ in mono. That disc is cut at 45rpm and backed with an etching of the original “toilet” cover. Also in the package is a replica of the rare Japanese bonus flexidisc, which contains a telephone interview with Mick Jagger from 1968, and a download code for the album plus interview. Newly mastered by Grammy-winning engineer Bob Ludwig, the disc’s lacquers were cut at Abbey Road and it’s pressed on 180g vinyl.

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TVD Live Shots: Boy George and Culture Club, The B-52s, and Tom Bailey at Morongo Hotel and Casino, 9/28

At a time when many bands from his generation are starting to fall short of expectations, Boy George and the Culture Club seem to be getting better with age. If you get a chance to see them perform live on their Life Tour this year, do so—you will not be disappointed. It’s one of the best shows I have seen in 2018!

The early eighties were a magical time for music. The New Wave revolution was just beginning to take off, and bands like Culture Club, The B-52’s, and the Thompson Twins’ were all the rage. Whether you were in the UK or here in America, their music was making a statement and the unique sound that these bands were putting out was fresh, catchy, and most importantly relevant. Fast forward 35 years and these same bands are still performing at levels that most bands could only dream of.

On September 28th, Boy George and Culture Club along with The B-52s and the Thompson Twins’ Tom Bailey made a scheduled pit-stop at the beautiful Morongo Hotel and Casino on the US leg of their 2018 Life Tour. For many, this concert would be a unique opportunity to see three of the ’80s most incredible New Wave acts—all under one roof. For others, it was a pilgrimage back to a simpler time and place when all that mattered was the music. Regardless of which camp you fell into (or what band you came to see), there was sure to be magical moments for all in attendance in Cabazon on Friday evening. Here are a few highlights from the show:

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TVD Ticket Giveaway: Nick Cave & The Bad Seeds at The Anthem, 10/25

Washington, DC! Home of our home, the key figure in our origin story—it’s been ages since we ran a good old-fashioned ticket giveaway for ya—and we’ve got a fantastic one for you today indeed. Nick Cave & The Bad Seeds play DC’s newest monument to music, The Anthem, on Thursday, October 25—and we’ve got a pair of tickets to award to one of you. First however, some official background on Cave’s October shows:

“One of the most intense and exciting live acts on the planet, Nick Cave & the Bad Seeds will be headlining festivals across Europe this summer, before crossing continents to Latin and North America for 9 dates in October. They will be joined by special guest Cigarettes After Sex for their shows in Los Angeles, Washington DC, and Toronto.

2017 saw the band play sell out shows in Australia, Europe, and North America, stunning audiences with an incredible, emotional live experience and picking up some of the best reviews of an already decorated career.

Nick Cave & The Bad Seeds’ seven-piece touring line-up features Nick Cave (vocals, piano), Warren Ellis (piano, keyboards, violin, tenor guitar), Martyn Casey (bass), Thomas Wydler (drums), Jim Sclavunos (vibraphone, percussion, piano), George Vjestica (guitar), and Larry Mullins (keyboards, piano).”

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TVD Radar: The Velvet Underground Experience opening week events 10/10, 10/11, and 10/13

VIA PRESS RELEASE | Lineup includes Q&A with John Cale, musical performance by The Feelies and design walk-and-talk with world-renowned French designer matali crasset.

The Velvet Underground Experience, an intriguing new multi-media art and music exhibition spotlighting the iconic band’s early NYC roots and opening in New York City on October 10, today announced three exclusive new events to kick-off the exhibition’s opening week. The first exhibition dedicated to the Velvet Underground, The Velvet Underground Experience will host a Q&A with co-founder John Cale on October 11, a walk-and-talk with world-renowned French designer matali crasset on October 10, and a special concert by The Feelies on October 13.

As co-founder of The Velvet Underground, legendary musician John Cale will participate in a special moderated Q&A on Thursday, October 11 at 5:00pm at the exhibition space-seating is limited and will be first come first served day of event.

During the Q&A, fans will be able to hear from Cale about the indelible impression the band had on the music scene in the 1960’s, his relationship with Lou Reed, the band’s lasting legacy, and what it means to bring The Velvet Underground Experience to New York. At the end of the Q&A, the moderator will open up the floor for questions from the audience.

On Saturday, October 13, veteran indie rock band The Feelies will play a tribute concert performing some of The Velvet Undergrounds most iconic songs. The concert will take place across the river at the White Eagle Hall in Newark, New Jersey. Doors open at 8:00pm with the band taking the stage at 9:00pm. Tickets for the October 13 show can be purchased here.

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TVD NSFW Video Premiere: Smoota, “Ballbuster”

“This song is emblematic of one of the cores of my philosophy: we should celebrate all kinds of loving relationships, no matter how outside of the mainstream.”Smoota

According to the encyclopedia Encyclopedia Britannica, a ballbuster is: 1. a woman who is rough on a man and, 2. something that causes ejaculation. Blue-eyed soul man Smoota checks off both categories in his newest NSFW video.

The steamy visuals marry the 1960s New Wave European films from France, Czechoslovakia, and Yugoslavia with the 1960s and ’70s American sexploitation movement. Like these films, “Ballbuster” feels tender and intimate, composed of Smoota and his pregnant dominatrix engaging in some sweet and often questionable bedroom endeavors to the tune of his ultra-smooth brand of R&B.

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Graded on a Curve:
New in Stores, October 2018, Part One

Part one of the TVD Record Store Club’s look at the new and reissued releases presently in stores for October, 2018. 

NEW RELEASE PICKS: Nathan Bowles, Plainly Mistaken (Paradise of Bachelors) Oh, yes. The latest album from banjoist Bowles (of Pelt, Black Twig Pickers, and Steve Gunn) is the first to journey into the full-band zone, and it’s an absolute delight. Mostly instrumental (there are two tracks with vocals) and peppered with interpretive selections (from Ernie Carpenter to Cousin Emmy and Her Kinfolk to an opening stab at Julie Tippetts’ “Now If You Remember”), the music extends Bowles’ immersion into Appalachian-Piedmont traditions, moving so far beyond mere Americana that it deserves a category of its own. Casey Toll’s bowed double bass helps bring to mind NC’s Shark Quest (a cool thing), but “Ruby in Kind I” is like a hybrid of Roscoe Holcomb, Up On the Sun-era Meat Puppets and Henry Flynt. Hot effing damn. A

Puce Mary, The Drought (PAN) Puce Mary is Frederikke Hoffmeier, and since 2013 the Copenhagen-based sound artist has released five LPs combining power electronics, industrial noise, and experimentation. For number six, new label PAN says she’s dialed back the extremity a bit; dipping into her prior stuff backs up the claim, though on the general musical scale, The Drought is still pretty uncompromising, with opener “Dissolve” a fitting soundtrack for a journey into the bowels of hell. But to her credit, that’s not really the atmosphere she’s striving for, with cited inspirations including Baudelaire, Jean Genet, and Antonioni’s masterpiece Red Desert. Power electronics-related stuff once regularly marinated in ideologically sketchy subject matter, so the lack of such here is refreshing. A

REISSUE/ARCHIVAL PICKS: Alvin Curran, Canti E Vedute Del Giardino Magnetico (Superior Viaduct) Curran was one of the founders of Musica Elettronica Viva, who along with AMM served as a cornerstone of free improvisation. If the term free improv brings you automatic associations with jazz, MEV was not that, just as this mid-’70s LP is not MEV. Using field recordings (ocean waves, wind, high-tension wires, frogs, birds, and bees), synth, chimes, and on the first of two side-long tracks, the human voice, Curran integrates aspects of Minimalism without ever becoming an example of the then-nascent style. In part due to the vocals, side one holds some similarities to Modernist classical, while the flip drifts like prime kosmische. All-in-all, a fully formed and deftly conceived avant experience. A

Phill Niblock, Niblock For Celli / Celli Plays Niblock (Superior Viaduct) Niblock is an avant-gardist of distinction, but as Superior Viaduct mentions in their press for this reissue, he didn’t get around to recording until the early ’80s (SV already has his stellar debut Nothin To Look At Just A Record in their catalog). The delay wasn’t out of frustration or late-blooming, as Niblock had been composing (and filming The Magic Sun, a killer experimental short documenting a performance by the Sun Ra Arkestra). He was certainly also accumulating experience, which really shines through in his first two LPs (originally for India Navigation). This is the second, with Joseph Celli on oboe and English horn, and it’s an utter feast for drone lovers. If that’s you, then dive right in. Also, Niblock advises you to crank this baby up. A+

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In rotation: 10/4/18

Lower Merion, PA | Iconic Main Line record store about to close for good: …For over 40 years, Gold Million Records, originally under the name Plastic Fantastic, has been the place to go for music. But over the next few weeks, the store will close for good as owners Howard Gold and Max I. Million have decided to close the iconic store. “This was both of our passions right from the beginning,” Gold said in a recent interview inside the store at its current location at 851 W. Lancaster Ave. in Bryn Mawr. “What a treat to be able to share it, and people appreciated it.” Among their memories of the last 42 years are the giants of the rock industry who have passed through the doors. Today, there are photos on the walls of many of those visits, including Blondie, Joan Jett, the Ramones, the Hooters, the Police and many others. Gold said many of the times those bands were at the store was before they got really big. To Gold and Million, those stars were just kids at the time.

San Francisco, CA | Turn the music up: The 4 best spots to score vinyl records in San Francisco: Love to spin vinyl records at home? Hoodline crunched the numbers to find the top vinyl hotspots in San Francisco, using both Yelp data and our own secret sauce to produce a ranked list of where to venture next time you’re in the market to hear your tunes the old-fashioned way…Topping the list is Rooky Ricardo’s Records. Located at 419 Haight St. (between Webster and Fillmore streets) in Hayes Valley, this is the highest-rated vinyl record spot in San Francisco, boasting 4.5 stars out of 83 reviews on Yelp. Owner Dick Vivian opened Rooky Ricardo’s three decades ago, with a collection of 35,000 45s from a distributor who had gone out of business years before. Since then, the spot has welcomed LPs to its collection to fill things out, becoming one of the country’s top spots for funk and soul records.

Vancouver, CA | VIFF 2018: Kid Koala presents Satellite as part of Live program: Kid Koala brings his interactive turntable orchestra project Satellite to Vancouver. …To bring Satellite to fruition, 50 turntable stations are set up in the performance space. Each station also has a mixing effects console, a series of colour-coded vinyl records, and directions of how to follow the score. This is accomplished by a series of subtle lighting changes which correspond to the colour-coded albums, that the audience plays. Of course, each station will spin along somewhat differently than the next, and also be adding its own sound effects into the master mix. The creative team did consider the very strong possibility that the resulting sound could be extremely and profoundly unpleasant.

Mic Drop: W Hotels Launches Music Label: W Hotels isn’t just marching to their own beat, they’re debuting it. The iconic brand behind the world’s first on-property music festival series (WAKE UP CALL) today announces its newest project: W Records. At its core, W Records is a record label and resource for artists selected by W Hotels and their music industry partners. From signing to release, W Records supports artists through every step of development, providing recording space, video shoot locations, mixing and mastering and finally, distribution of the new sound via live performances, streaming and vinyl production. Tracks for W Records are recorded, naturally, in W Sound Suites (the brand’s signature, on-site recording studios) with four rising artists stepping up to the mic over the next year. Starting today, tracks from the first artist will be released through W Records both digitally and via limited edition runs of vinyl, offering W fans a throwback way to enjoy new/next music.

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