Monthly Archives: May 2018

Brandy Zdan,
The TVD First Date

“Memories are a peculiar thing. Do we shape them as time goes by for comfort’s sake or do we twist them around for the stories we tell? We can’t avoid the rose-colored glasses. Who can really know, and who knows if any of this memory is correct, but it is true.”

“I can still remember the smell in the basement of my parents’ house, 234 Bancroft Bay. The brightly colored ’70s carpet of red, orange, and yellow hues. And the taxidermy black bear rug that hung on the wall, one my Dad got while hunting somewhere in Manitoba.

Basements are the best when you’re a kid. But then it becomes something completely different as a pre-teen. It’s the escape realm. The specific smell I can recall is from the cupboard that held their record collection. Tucked away in the corner on the ground, always damp and musty, the worst place to hold vinyl. But the best place because that’s where I found it.

Music, for me, has always been. I’ve been singing since I can remember and involved in all the things a child could be involved in. You could find me singing along to The Bodyguard soundtrack (which is still amazing) and liking New Kids on the Block while singing classical music at my voice lessons every week.

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UK Artist of the Week: Scott Swain

Our Artist of the Week this week is none other than the truly mesmerizing singer-songwriter Scott Swain.

Scott’s latest single “It’s Too Late,” taken from his forthcoming debut EP, “Goodbye Country, Goodbye Home,” clearly reflects Swain’s love for major influence The National, as his powerful lead vocal takes centre stage. The single is also inspired by Swain’s other passion in life—film—and is based on the French movie Irreversible.

Each song on the EP is about a certain film that has inspired Swain’s life, however the main aspect of the EP is about that dreaded word: Brexit. To keep things light, Swain decided to add an alternative dimension to the EP, and quite rightly so! “It’s Too Late” feels beautifully anthemic from the offset, combining indie rock with cinematic soundscapes to create something immensely captivating.

“Goodbye Country, Goodbye Home” is in stores on 20th May 2018 via Resonating Wood Recordings.

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Graded on a Curve:
Ben LaMar Gay,
Downtown Castles Can Never Block the Sun

Do you love jazz? Do you love Tropicalia? Do you love hip-hop? Do you love musical experimentation? Do you love funk? Do you love Raymond Scott? Answering yes to all these questions means you’re one diverse listener. Kudos. It also means that Ben LaMar Gay’s Downtown Castles Can Never Block the Sun is primed to caress your earholes but good. The Chicago-born AACM alum and sometimes Brazilian resident is known for his cornet playing in a variety of progressive contexts, and his debut, drawn from seven unreleased albums made by the artist, expands his range of musical motion to fascinating and often thrilling effect. It’s out May 4 on LP, CD, and digital through International Anthem.

“Vitus Labrusca,” the opening track on Downtown Castles Can Never Block the Sun, is a 30 second plunge into abstraction, mingling avant-garde classical, free jazz, and an echoing atmosphere redolent of studio experimentation. It’s a striking passage, but one that’s shortness allows it to become a sort of prelude to the musical range that follows.

It’s brevity also effectively softens an immediate sharp redirection, as “Muhal” blends electro funk and arty pop with rap and jazz elements (featuring wordless vocals that recall scatting through the prism of beatboxing), all in praise of the great Chicago-based pianist-composer-educator Muhal Richard Abrams (who sadly passed away last year). It’s a tribute that goes deeper than titular acknowledgement; the verses Gay sings in the track are names taken from Abrams’ impressive book of compositions (the chorus is this record’s title delivered by a female backing vocal crew).

But the tribute runs much deeper. Since its ’60s inception, Abrams was the administrator of the Association for the Advancement of Creative Musicians, and International Anthem describes Gay as both a “default descendent” and “long-time participant” of the organization. Those familiar with the AACM will likely appreciate the lack of orthodoxy (even to the general parameters of avant jazz) in Gay’s salute, though the sweet bass clarinet throughout “Muhal” (played by Rob Frye of Bitchin Bajas) does provide a solid jazzy foundation.

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In rotation: 5/1/18

4 more record stores in the metro to satisfy your vinyl habit: MANILA — Now that Record Store Day Pilipinas has passed, where can music fans get their vinyl fix? Well, Kagatan 27 is around the corner (May 6 at 1 p.m. at Cubao X). However, if you can’t wait, here are four places I recommend you should check out…One of the best curated re-sellers in town. Located on the third floor of 142 Linear Building, Katipunan Avenue, St. Ignatius Village, Disc Replay Station is an all-in store that sells vinyl, compact discs, cassettes, audio gear such as turntables, speakers, amplifiers, Blu-ray discs, and more. Why you should check this out? Well, it’s one of the better curated stores in town…

Resurgence of the record shop: In an age of instant downloads, Fraser Thompson finds that record stores are thriving. Twenty years ago, if you wanted music you had to leave your house, go to a record store, talk to some people, part with around $30 and return with a CD to pop in your CD player. But today we have near instant, near free access to most music recorded in the last couple of hundred years. So that makes record stores obsolete, right? Well there’s certainly less demand, but the few record stores left are, well, thriving.

No, The Music Business Doesn’t Need To Be Saved: If I read one more gratuitous click-bait headline that says, “Streaming Is Saving The Music Business,” or “Blockchain Is Going To Save The Music Business” I think I’m going to scream. The recorded music business surely is facing many problems now, had them in the past, and will have them in the future, but to say that it will be saved from them by a technology is ignoring its rich history with technology. Look, the “music business” is about the distribution of music, but music now and forever is the product. As long as people want to hear it, there’s going to be a business built around it.

Digital and analog audio’s curious coexistence, Since nearly all music is digitally recorded, why buy a turntable? It’s a funny thing, the ongoing turntable sales surge shows no signs of slowing down, but nearly all new music is recorded digitally. It seems like a contradiction, turntables and LPs are purely analog in nature, but nearly all new (not remastered LPs) made over the last 30+ years were recorded, mixed, and mastered from digital sources. Older, pre 1980 LPs were made in an all-analog world. Today’s LPs are hybrids of a sort, the grooves are still analog, but the music was probably made in the digital domain. Be that as it may, LPs, regardless of vintage, can sound great. While pre-1980s records may be richer in tone and warmth, there are lots of more recent albums that sound just as good or better.

Should a new downtown Ann Arbor library be built on the Y Lot?: As part of Record Store Day, the downtown library recently hosted a pop-up record fair with music, a documentary screening, and vendors slinging used records and music-related gear. Vander Broek said about 2,800 people came to the library for Record Store Day, which she called a good example of bringing the community together…”The space needs to be thought about as an answer to what we want to do in it,” she said of the future of the downtown library. “Right now it’s kind of upside down and backwards where we have a space that was designed to hold lots of books. And now we want to have lots of books, but we want to do things like Record Store Day. So, what we need, I think, going forward is a space that’s going to allow us to do what we want to do now, to be responsive and visionary for the community, but then what we’re going to want to do in 25 years, too.”

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  • SUPPORTING YOUR LOCAL INDIE SHOPS SINCE 2007


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